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Unfortunately the print of Madhouse was even worse than the print of Hound. We’ve decided to change out those two programs as no suitable materials for either title could be obtained.
“The Skull” (1965) (replaces the scheduled showing of The Hound of the Baskervilles), presented in HD courtesy Paramount Pictures.
“Scream and Scream Again” (1970) (replaces the scheduled showing of Madhouse), presented in 35mm courtesy of MGM.
Thanks MPol and Marcel.
Print updates for the HorrorThon, which starts Friday night (note Metropolis begins at 8pm):
HD version of Metropolis (Moroder version) looks fine. If you like that version, you’ll be very pleased. Sounds great.
Mysterious Island digital ‘print’ from Sony arrives tomorrow but should look flawless and it has the new 5.1 stereo surround sound on it.
Monster that Challenged the World is a mint 35mm print, it’s pretty much new and will be great to project.
Double Feature: “X – The Man with X Ray Eyes” is near-mint and has perfect color; “Planet of the Vampires” is also near-mint with perfect color. A little treat – it has the original Italian title on it! “Terrore Nello Spazio”
The Hound of the Baskervilles print has, unfortunately, faded color. Almost sepia-tone. MGM has no other print. We’re trying to obtain an alternate source (possibly an HD transfer), but will run the print if nothing else can be found.
Madhouse has not arrived yet.
Friday the 13th is the uncut version (I’m told it’s 10 seconds of new footage) and looks fine via Paramount’s digital print.
If you can only make one show, make it the double feature as it’s going to be a lot of fun and look great.
Just a note, the Metropolis show on Friday is an 8pm start.
HD version of Metropolis looks fine. If you like that version, you’ll be very pleased. Sounds great.
Double Feature: “X – The Man with X Ray Eyes” is near-mint and has perfect color; “Planet of the Vampires” is also near-mint with perfect color. A little treat – it has the original Italian title on it! “Terrore Nello Spazio”.
Friday the 13th is the uncut version (I’m told it’s 10 seconds of gory footage) and looks fine via Paramount’s digital print.
Yes, the Saturday night show is a genuine Double Feature – 2 for 1 – just like the old days.
THE HORRORTHONThe Lafayette’s annual salute to classic horror and science fiction films is coming October 21-22-23.
Friday 10/21: Giorgio Moroder presents “Metropolis”
Saturday 10/221:30 “Mysterious Island”3:45 “The Monster that Challenged the World ”
Drive-In Double Feature begins at 7:30 (rare drive-in trailers and promos show between the features): “X – The Man with the X-Ray Eyes” PLUS “Planet of the Vampires”
3:45 “The Hound of the Baskervilles” (1959)
5:45 “Madhouse” (1974)
8:30 “Friday the 13th” (1980)
Here’s the fall season:
9/17 – The Guns of Navarone, with Gregory Peck & David Niven (digital restoration, with stereo sound)
9/24 – Dodsworth, with Walter Huston & Mary Astor
10/1 – Wuthering Heights, with Laurence Olivier & Merle Oberon
10/8 – State of the Union, with Spencer Tracy & Katharine Hepburn
10/15 – Written on the Wind, with Rock Hudson & Laurne Bacall
10/29 – The Uninvited, with Ray Milland & Gail Russell
11/5 – Bye Bye Birdie, with Ann-Margret & Dick Van Dyke (digital restoration, with stereo sound)
11/12 – Elmer Gantry, with Burt Lancaster & Jean Simmons
11/19 – Winchester ‘73, with James Stewart & Shelly Winters
11/26 – The Wizard of Oz, with Judy Garland
12/3 – Bringing Up Baby, with Cary Grant & Katharine Hepburn
12/10 – The Bells of St. Mary’s, with Bing Crosby & Ingrid Bergman
12/17 – It’s a Wonderful Life, with James Stewart & Donna Reed
GUNS is most likely a digital cinema show, featuring the new restored negative and 4-channel stereo track.
Really? Some of the the others listed are Oscar winners, from directors such as William Wyler, Richard Brooks, Anthony Mann, and with stars like Burt Lancaster, James Stewart, Walter Huston, Rock Hudson, Ray Milland.
The complete fall schedule should be posting today or tomorrow…still filling a couple of dates.
Opening show for the Fall season on 9/17: THE GUNS OF NAVARONE.
We have a great lineup coming – others include DODSWORTH, WRITTEN ON THE WIND, BYE BYE BIRDIE, WINCHESTER ‘73, THE UNINVITED, ELMER GANTRY, IT’S A WONDERFUL LIFE, and more.
Yes, the Lafayette made it through the rain fine – just a little water coming under the front exits, as it always does in heavy rain.
We’ll be announcing our fall season of Big Screen Classics in the next week or so – the first show is on September 17.
Unfortunately, we don’t have the original film where maybe we could check the date code to better identify. The town archivist got the tape that contained it a while ago and said that it’s from 1926 (there was other footage unrelated to the theatre that he was able to date it as such). Remember that the Lafayette didn’t open until 1924 in any case, so Nanook had to been playing on a return engagement of some sort.
House of Wax is available in polarized double-system 3-D 35mm prints (I played it in 2004 & 2005) and might also be available in side-by-side single-strip polarized 35mm. However, the venues may not be capable of handling those formats (and may not have the required silver screen). I believe the 70mm prints were created back in the 70s and would be long faded by now.
You’re correct, mbd. After (over) 300 movies and 9 years, my memory is clouded…to say the least. So that means we ran two serials. :)
The serial we ran was “Dangers of the Canadian Mounted”, which was fun. Couple of problems with trying that again is that there are very few 35mm prints around (DotCM was a collector’s print) from the studios – Sony/Columbia has a few, but that’s it. Another issue was the running time being added to the show made our normal first-run schedule very tight – a lot tighter than the studios normally allow, which caused more than a few problems with them.
Yes, it’s a short walk (under 10 mins) from the Suffern train station to the theatre. You’ll take the train from Penn in NY to Secaucus Junction and switch trains. Go to www.njtransit.org and put Penn in as starting point and Suffern Station as end point. The 9:14 from Penn arrives at 10:03, a pretty quick trip.
See you there!
Tomorrow’s showing of “Shanghai Express” with Marlene Dietrich should be a winner – the 35mm print from Universal is an excellent one and looks great on our silver screen.
Sounds great – good luck with the series. Are these all 35mm film or a mix of film and video?
No plans as of now for Rivertown’s shows to return.
Thanks guys, should be a great season. And as always for the Bond film, we will have a display of rare memorabilia from the movie’s release.
Here’s the final schedule:
March 19 – The African Queen
March 26 – Here Comes Mr. Jordan
April 2 – The Party (Peter Sellers)
April 9 – Shanghai Express
April 16 – Cover Girl
April 23 – The Blue Dahlia
April 30 – Witness for the Prosecution
May 7 – The Lost Weekend
May 14 – The Talk of the Town
May 21 – The Harder They Fall
May 28 – The Circus (silent with Live Pipe Organ Accompaniment on the Wurlitzer)
June 4 – Run Silent Run Deep
June 11 – You Only Live Twice
June 18 – Cartoons & Stooges & more…
Hope to see everyone out for the shows!
Here’s a teaser of some of the titles we have confirmed for the Spring season:
Opening day – March 19: The African Queen
Other titles for the season:
The Party (Peter Sellers), Shanghai Express, The Blue Dahlia, Witness for the Prosecution, The Lost Weekend, Chaplin’s The Circus (live pipe organ accompaniment), Run Silent Run Deep, You Only Live Twice
4 more to come.
You’re forgetting the cost of the Digital Cinema Server, which is required to run DCP. And I don’t think the studios will allow the server to run a DCP to a projector such as you described.
Re: Gigi’s roadshow at the Royale:
Variety Review: “Premiered reserved-seat policy May 15, ‘58, Royale, N.Y."
NY Times: GIGI' DUE TONIGHT ON ROYALE SCREEN; Legitimate Theatre to House M-G-M Movie…
Read the entries on the Museum’s page here about the tech problems that plagued both shows on Saturday, Bill. My friend said there were about 150 people there for Playtime.
A friend who was there for both 70mm shows (Playtime and 2001) said the focus problem was also present during the Playtime screening. Between shows, they apologized and said that they were trying to work out the problem. One of the two projectors was having the focus problem, so his description of the day’s screening boiled down to “every other reel looked great”.