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Wasn’t there a second screen here that Cineplex didn’t use, with the entrance on 42nd Street?
Wasn’t this built by General Cinema?
The apartment building that the theatre is/was in was Gimbels Dept. Store, and was built in the 60s. Gimbels went out of business in aprx. 1986, and the building put up for sale. It was stripped down to the steel frame and re-built as an apartment building.
The property that the former Gimbels is sitting on was previously occupied by the RKO Proctors 86th St., a huge palace designed by Thomas Lamb, demolished in the early 60s.
The situation here was similar to that of the Loew’s 72nd St/Loew’s Tower East: the palace replaced by another type of building, which included a tiny cinema as a supposed replacement for the lost palace.
The Beverly Center Cinema has 1879 seats.
According to the December 1999 Loews directory, the Universal City Cinema had 5504 seats and 18 screens (this is before the Imax was installed. Was the Imax an add-on, or a conversion of an existing auditorium?
The address of the former Loews North Versailles 20 is: 200 Loews Drive, North Versailles PA 15137.
Loews announced this theatre, but had to wait for the municipality to make changes to the surrounding roads and other infrastructure adjustments before they could begin construction. As with most government projects, they moved at a snails pace. In the meantime the 24-screen plex down the street, which was announced after the Loews was announced, got built and opened long before the Loews and had captured the audience.
The Loews theatre had a total of 4172 seats. When it closed, all of the equipment was removed and most of it re-installed in the new Loews 34th Street in New York, which was just being completed at the time the North Versailles was closing.
The RKO-CW people sold this theatre just days before they sold the rest of the company to Cineplex. When The Grand Pooh-bah of Cineplex found out he went to the guy who bought it and offered him the sun, the moon and the stars to buy it back, but was refused. While I generally view Cineplex and The Grand Pooh-bah with contempt for ruining so many decent theatres New York, I will admit that on these big old palaces they did do a decent job of restoration [e.g. the lobby of the Loew’s Met in Brooklyn]. This would have been one that I would have been glad to see him take over.
It’s a shame that the slimeball who let the Keith’s deteriorate wasn’t jailed years ago for his disregard of the landmarks law. And the City of New York is culpable for letting him get away with it. The City could have declared eminant domain and bought it from this guy and sell it to someone committed to restoration, like Cineplex.
Nope, wasn’t Ralph…. it was above him. Although I never heard him say so, I don’t think he agreed with certain things that were done there. If he’d had the last word on things, there would have been less radical changes. The Cinemas had a reputation for both programming and design, and nobody was more aware of that than him – he was the one who brought in the original architect to maintain the character of the theatre. However, once the design-phase was underway, higher-ups from out-of-town had other ideas. It used to be a very special place, but with the general-release dreck they play there now, it’s just another plex.
BTW, it was built at a cost of $750,000. in 1962, and it was sitting on rented land. The 1988 ‘adjustments’ cost $3 million. In the past few years they finally bought the land underneath it.
When they get the photo function working on this site, I have architects photos of it both when it was completed in 1962 and after the 1988 ‘adjustments’ and will post them.
Although I worked there at the time, I would agree with ‘fornasetti’ that the place was ruined with the 88 renovation. All it needed was new carpet, wallpaper, new seats and the restoration of the artwork. But the guy in charge at the time just had to have a third screen and one common lobby like a real triplex. Aside from that his only concern was ‘how big is the screen?’ and ‘how many seats?’ If someone is trying to get it landmarked I would suggest they continue their efforts – these people who run it now would sell their mothers for fifty-cents – after all, look what happened to the Murray Hill and the Sutton…..
The floor in the Festival was flat – the back 3 or four rows were built up only slightly, like 2 or 3 inches max. It was an adapted space. Before it was the theatre, the entire building had been Milgrim Dept. Store. The only major structural work done for the theatre was removal of the columns from the middle of the auditorium.
Wasn’t the divorcement to seperate the MGM Studios from Loew’s, Inc., which left Loew’s with only the theatres?
The neighborhood there was ok in the 50s, and then went downhill real quick in the 60s.
Wasn’t Dan Talbot/New Yorker Films (of the Lincoln Plaza and the late Cinema Studio) running the Metro for a few years before Cineplex blew into town?
I used to see the figures for this theatre in 2000 and 2001 – in a seven-day period there were 10 or 12 customers all week and grosses of under $100 – for weeks at a time – I’m surprised they didn’t close it sooner than they did.
Those ridiculous amoeba-shaped sofas in the lower lounge came from the Beekman – cliche 50s modern furniture that I’m sure looked better uptown in it’s original setting – it was too big for that small room at the Gramercy. Perhaps MOMA added them to their cliche-50s-modern architecture and furnishings collection.
When MOMA gets through with it, isn’t it going back to off-bway productions with Roundabout? I thought they sub-leased it to MOMA.
When the Commodore first closed in 1971, it was made into a roller-skating rink….
The building that the Plaza Theatre was in was built in the late 1800s and originally the stable for the Vanderbilt mansion that occupied the site where Bergdorf-Goodman is today from 1889 to 1926. The blocks between Madison and Lexington were industrial/commercial/utility properties, because Park Avenue at that time was the New York Central right-of-way with railroad tracks on the surface going into the old Grand Central Terminal. Open rail yards occupied the area from 57th St. to the old terminal on 42nd St. from Lexington to Madison Avenues. The ajoining blocks were not desirable property until sometime after 1910, when the new (present) Grand Central Terminal was built, and it’s rail yards and right-of-way was put under ground.
In addition to the Vanderbuilt stable becoming a movie theatre, The main house on Fifth Ave. also had a connection to the movie theatres. Before the above-mentioned Vanderbilt mansion was demolished in 1926, Marcus Loew bought and and disassembled the Vanderbilt’s mosaic Moorish Smoking Room and had it reassembled as the Ladies Lounge in the Loew’s Midland Theatre in Kansas City, and it is still there today. The chandelier from the same room was installed in the lobby of the Loew’s State Theatre in Syracuse.
The Fox Cedar was opened by National General Theatres and was a lavish theatre for it’s time. It was probably about 1200 seats originally, and had very plush seats. It was set up for reserved-seat roadshows: the seats were numbered, and there was a hard-ticket box office with the pigeon hole ticket racks. The lobby had entrances on Cedar Road and another in the back at the parking lot. Next to the candy stand and behind the large window that faced Cedar Road there was a lounge area with upholstered chairs, sofas, tables, lamps and deep-pile carpeting. When Loews took over they ripped out this lounge area, tiled the floor and put in those dreaded game machines, and it was down hill from there, they ran it into the ground.
This must have been General Cinema when it first opened – the sign on the front above the entrance canopy – ‘Cinema’ in an unusual stylized script is the same script used in the theatre sigs for the GCC formatted display advertising in the 60s, and it was also used on the uniform blouses the female employees wore in the 60s & 70s. When Cineplex had the theatre (Loews aquired it from the merger) they probably put the pink neon tubing in the sign, since they were out of their minds with that damn pink neon everywhere. It was probably blue neon, originally.
Most of the Cinemas at the time used the red serif-style block letters, but there were a few theatres where the landlord of a more upscale property did not want that type of sign, and felt that the script was more elegant looking.
Parmatown Mall Cinemas
Born November 15, 1967
Died August 12, 2004
Loews bought the local Community Circuit chain, which included this theatre along with the Riverside, Village, Berea and Showplace theatres. This was an orchestra only, no balcony or stadium, in an art-deco style. The auditorium ceiling was sculptured plaster and had purple neon cove lighting. It had been well taken care of by the previous owner. When they triplexed the Richmond it actually didn’t look too bad, it retained a lot of it’s original character. They put two theatres in the back half of the auditorium with 10 or 15 foot wide passageway between them that accessed the third theatre which was the front half of the original auditorium, full width, with the stage left intact.
Cineplex put the whammy on many theatres, and this is a perfect example. They took a perfectly viable, well-attended theatre that was tastefully decorated for it’s upper east-side audience, and threw away a lot of money on faux-marble floors, hideous pink neon, re-built seats (no, they weren’t new) and ‘Real Butter’ signs plastered everywhere. The result made it look like a plex in a suburban Toronto shopping mall, not an upscale Manhattan movie house. If that wasn’t bad enough, they never put another dime into it – they didn’t maintain the escalator, or the heating & air conditioning systems, or the roof, or even the light bulbs. All that, coupled with their inability to comprehend the film booking patterns that existed in Manhattan in those days, and they turned the place into a dump in record time. For some reason that to this day remains a mystery, Loews merged with the nearly-insolvent Cineplex, taking on their HUMONGOUS debt. As the combined company was skidding towards backruptcy and looking for cash, the B/C was too far gone, and worth more as a development site. You can put Cineplex right up there behind UA when it comes to running theatres into the ground.
No, I think this was in the works before the merger, because ABC started construction in there fairly quickly after the National closed. For the amount of work that was done there, it would have been a long planning process with the architects and engineers, and another long process with the Dept. of Buildings for permits and approvals.
It was the other way around – Almi/Century bought RKO-SW from Pacific in 1981, and called it RKO Century Warner. The National had been transferred to RKO from Cinema 5 under Pacific’s ownership of both. Later, in about 1985 RKO-CW bought Cinema 5 from Pacific, except for Cinema I & II (they had a management agreement on that one) and it eventually became the nucleus of City Cinemas.
I think the National closed shortly before the merger, though I could be wrong, I don’t recall us being involved with the National.