Showing 3,526 - 3,550 of 4,115 comments
It’s probably a longshot, but you might try contacting the musicians' union for for information about players at the Roxy Theatre. Also the third floor Billy Rose Theatre Collection at the Performing Arts Library at Lincoln Center in NYC. They do have some material donated to the library by people who worked at the Roxy, but much is stored off-site and requires advance rservations to consult.
Seventy-five years ago today, Samuel Goldwyn’s B&W comedy-musical “Strike Me Pink,” starring Eddie Cantor and with Ethel Merman topping the supporting cast, opened its world premiere engagement at RCMH. Leonidoff’s stage revue, “Winter Cruise,” was a travelogue in three spectacular scenes featuring the house performers and a novelty act called The Six Abdullas. The program proved popular enough to hold-over for a second week, with Eddie Cantor himself making stage appearances at all shows on January 23rd only.
On January 18th, 1949, the Trans-Lux 60th St. on Madison dropped its newsreel policy in favor of single first-run features, starting with the American premiere engagement of J. Arthur Rank’s “Take My Life."
The B&W drama starred Marius Goring. one of the leads in the boxoffice smash, "The Red Shoes.” Greta Gynt and Hugh Williams co-starred in the Eagle Lion Films release.
On this day in 1960, the Roxy opened the final film/stage presentation of its lifetime. On screen was MGM’s “The Gazebo,” A B&W CinemaScope comedy starring Debbie Reynolds and Glenn Ford and based on a moderately successful Broadway play of the same title. Performing on the Roxy’s “Starlit Stage” were singer Dick Roman, Maria Neglia & Her Singing Strings, adagio dancers Harrison & Kossi, novelty act Les Marthys, musical clowns The Bizarro Brothers, and the house orchestra conducted by Robert Boucher. Despite low attendance, the booking lasted five weeks while the Roxy’s death and burial were being arranged.
Today marks the 58th anniversary of the American debut of the legendary cascading fountain system known as “Dancing Waters,” which Leon Leonidoff discovered in a nightclub in Berlin, Germany, and brought to New York for the RCMH stage show,“Many Waters.” On screen was MGM’s B&W melodrama, “The Bad and the Beautiful,” directed by Vincente Minnelli and starring Lana Turner, Kirk Douglas, Walter Pidgeon, and Dick Powell. “Dancing Waters” proved such a hit at RCMH that it was re-booked for that year’s Easter Show, and also returned to RCMH periodically over the years. The system eventually ended its transient career with an installation at Disneyland.
The current issue of the weekly Queens Tribune reports:
Some photos turn up early in this recent Forgotten New York article, but I don’t know if there’s anything that we haven’t seen before: View link
On this day in 1944, the Capitol Theatre was celebrating its fourth record-breaking week of MGM’s B&W patriotic fantasy, “A Guy Named Joe,” which teamed Spencer Tracy and Irene Dunne and helped to raise featured player Van Johnson to major stardom. The Capitol’s stage show was also noteworthy, a cavalcade of rising MGM contractees headed by Kathryn Grayson, ‘Rags’ Ragland, Nancy Walker, and June Allyson, plus Richard Himber & His Orchestra and comedian Lou Holtz. “A Guy Named Joe” was later remade (disastrously) by Stephen Spielberg as “Always,” with Audrey Hepburn as a Heavenly spirit that was played in the original by Lionel Barrymore. The 1989 release turned out to be Hepburn’s last screen appearance. She died from colon cancer in January, 1993, at age 63.
Today (1/11) also marks the 78th anniversary of the re-launching of RCMH as a movie-stage showcase after its disastrous opening with “live” presentations only. The first film booking was Columbia’s B&W “The Bitter Tea of General Yen,” with Barbara Stanwyck and Nils Asther. I wonder what size the screen measured then?
On this day in 1940, Howard Hawks' B&W comedy “His Girl Friday” opened its world premiere engagement at RCMH. Based on the famous stage play “The Front Page,” the Columbia release audaciously changed one of the two main roles of newspaper employees into a woman, played by Rosalind Russell, cast opposite Cary Grant. Leon Leonidoff’s stage revue, “Town Topics,” offered a sightseeing tour of NYC old and new, including The Bowery, the Little Chruch Around the Corner, the Aquarium, and Grand Central Terminal. The prophetic “Crisis in the Pacific,” the latest episode in the “March of Time” series, rounded out the program.
From December 1951 into April 1952, Laurence Olivier and wife Vivien Leigh acted the title roles in “The Cleopatra Plays” on stage at the Ziegfeld Theatre. Supported by a company of British actors, the couple gave 66 performances of William Shakespeare’s “Antony and Cleopatra,” and 67 performances of George Bernard Shaw’s “Caesar and Cleopatra.” Ms. Leigh had previously starred opposite Claude Rains in a Technicolor film version of Shaw’s play.
Tomorrow (January 10th) will mark the 59th anniversary of the opening of the world premiere engagement of Cecil B. DeMille’s “The Greatest Show On Earth” at RCMH. Due to the circus spectacle’s running time of two hours and 33 minutes, Leonidoff’s stage revue, “Star-Spangled,” ran about 25 minutes, but still managed to use most of the resident company of performers. “GSOE” did smash business, but had to be pulled after 11 weeks to make way for the annual Easter Show with “Singin' in the Rain” on screen.
On this day in 1949, Brandt’s Mayfair opened its doors at 8:30am for the start of its NYC premiere engagement of Republic’s “Wake of the Red Witch.” Production of the B&W sea epic sparked a real-life romance between co-stars John Wayne and Gail Russell, which continued on-and-off until the mentally unbalanced and hard-drinking actress died from liver disease in 1961 at age 36.
A short history, with a color photo of the Savoy in its final “adult” phase, can be found here: View link
Tomorrow (January 7th) will mark the 57th anniversary of the opening of RCMH’s first CinemaScope presentation, MGM’s “Knights of the Round Table,” shown on what was advertised as the “World’s Largest Screen.” Leonidoff’s stage revue, “New Horizon,” included a spectacular rendering of George Gershwin’s beloved “Rhapsody in Blue” by the 50 members of the resident Corps de Ballet. The epic adventure with Robert Taylor, Ava Gardner, and Mel Ferrer was also MGM’s first CinemaScope release.
January 7th will mark the 85th anniversary of the grand opening of Ascher’s New Terminal Theatre Supreme, described as “The Pride of Albany Park.” Continuous performances started at 1:00pm, with the exclusive Chicago premiere engagement of Fox’s “The Gilded Butterfly” and a stage show with The Four Original Brown Brothers, Bartram & Saxton, Marian’s Dancers, Harry Kogan & His Spicy Syncopators, and “Larson” playing the grand organ. Newspaper advertising claimed “4,000 comfortable seats,” and that “The Gilded Butterfly” would not be shown elsewhere in Chicago for at least six weeks.
No, Justin, you’re wrong. It’s Century 21, not Forever 21:
A recent view of the Kent Theatre as bargain store can found at the start of this new article about the Morrisania section of the Bronx:
On this New Year’s Day in 1941, RCMH provided six screenings of MGM’s “The Philadelphia Story,” the first starting at 9:05 in the morning and the last at 10:26pm. The stage show, “Pan-Americana,” gave five performances, the first at 10:57am and the last at 9:35pm.
Sorry, but my first sentence of today gave the name incorrectly and omitted “Street” (or “St.”). The number by itself implies that it was the 72nd Loew’s theatre, which I’m sure would be untrue…Would be great if the introductory photo could be changed to one that actually shows Loew’s 72nd Street in its prime, instead of the architectural zero that replaced it.
Sadly, tonight marks the 50th anniversary of the closing of Loew’s 72nd Theatre, one of the most magnificent atmospherics ever built, which survived for not even 29 years. The final program, part of a Loew’s circuit run, was “The World of Suzie Wong” and short subjects, which moved the next day to the RKO 58th Street. Loew’s now had no theatres on the East Side between the Orpheum on 86th Street and the Commodore and Delancey below 14th Street.
This debuted as the Trans-Lux 85th St. Cinema Cafe on October 12th, 1960, when it shared the NYC premiere engagement of Stanley Kramer-UA’s prestigious “Inherit the Wind” with the midtown Astor Theatre. “Cafe” used the French spelling, with an accent mark over the final letter, which I don’t know how to type in here.
The 1968 photo still shows the marquee and entrance used by Loew’s. But the Loew’s name has been removed.
Fifty years ago, on 12/30/60, the Starlite was advertised in the Chicago Tribune as “America’s Most Famous Drive-In Theatre,” but failed to specify why. For the New Year’s holiday weekend, it would be operating from dusk to dawn with four features, “North to Alaska,” “CinderFella,” “Carry On Sergeant,” and “I’m All Right, Jack,” plus 35 minutes of cartoons. The Starlite could stay open in winter thanks to “Really Warm Bernz-O-Matic In Car Heaters.”
Fifty years ago tomorrow, on 12/30/60, the B&K Tivoli started a one-week engagement of the stage revue “Smart Affairs of 1961,” with a cast of 50 topped by jazz-blues singer Nancy Wilson, the instrumental group The Three Sounds, comedian Slappy White, and limbo dancer Roz Croney. On screen was the sub-run John Wayne epic, “North to Alaska.” Doors opened daily at 1:00pm, with last stage show starting at 10:30pm.