Yes, that was the Claridge Hotel. But by 1969 when “PAINT YOUR WAGON” opened on a Roadshow basis at the State Two, “MIDNIGHT COWBOY” was already showing the world what Times square had become and by January 1970 Loews State would be showing Swedish porn “WITHOUT A STITCH” on Twin One while these hotels were still operating.
“…the large auditorium of the City Cinemas 1,2,3, is a historic, showplace…”
I know where you are coming from HowardBHaas, but isn’t it ironic that this screen was once considered by Variety as ‘an intimate art house sure-seater’.
Don’t forget the TLC Chinese (no longer Grauman’s) on Hollywood Boulevard or the IFC (no longer Waverly) in Greenwich Village. At least they are still there.
Ed LaPidus, stagehand at the Ziegfeld, could get that done. Don’t ask how. He never actually did anything, but he got paid every week. This scraggly mess of a man often escorted stars down the red carpet at the Ziegfeld. I never quite understood his position. Stagehand Union politics.
The Quad did play quite a bit of hard core porn in the early seventies when the major distributors refused to play first-run in the village, so that may have been the hooker era. This lack of mainstream product lead to a major lawsuit by the Quad owners against all the major theatre chains and distributors operating in New York at the time for unfair trade practices. The Quad won that lawsuit and went first-run dropping most x-rated titles.
Cineplex Odeon still exists in Canada as a company. Sign change approval is notoriously slow in Manhattan. Even bringing down a flag can require a permit.
I think you mean “Daddy’s Gone A-Hunting” and that was summer of 1969. The summer of love.
Shouldn’t you credit TCM for this information?
Shouldn’t you credit TCM for this information?
Yes, that was the Claridge Hotel. But by 1969 when “PAINT YOUR WAGON” opened on a Roadshow basis at the State Two, “MIDNIGHT COWBOY” was already showing the world what Times square had become and by January 1970 Loews State would be showing Swedish porn “WITHOUT A STITCH” on Twin One while these hotels were still operating.
I don’t think the tearing down of these theatres lead to the descent of Times Square into vice, but rather the other way around.
davidcoppock, unlike other chains, UA theatres were never aligned to any particular distributor in New York City and never had many locations.
There is an interior photo on page six.
“…the large auditorium of the City Cinemas 1,2,3, is a historic, showplace…”
I know where you are coming from HowardBHaas, but isn’t it ironic that this screen was once considered by Variety as ‘an intimate art house sure-seater’.
Also, the Cineplex Odeon takeover was in 1987 not 1978.
Hmmn. Can you tell how you see that from that muddy pic?
Three screens in 1971. Four from 1972 to 1985.
The R rated “ALL THAT JAZZ” opened in late 1979 and may have screened at RCMH.
No mention here of the West End musical version of “Mrs. Henderson Presents”. I love this theatre’s history.
Don’t forget the TLC Chinese (no longer Grauman’s) on Hollywood Boulevard or the IFC (no longer Waverly) in Greenwich Village. At least they are still there.
Ed LaPidus, stagehand at the Ziegfeld, could get that done. Don’t ask how. He never actually did anything, but he got paid every week. This scraggly mess of a man often escorted stars down the red carpet at the Ziegfeld. I never quite understood his position. Stagehand Union politics.
http://www.nytimes.com/1997/01/26/style/the-man-who-rolls-out-the-red-carpet.html
How did this get in here?
Re-opening ad in the photo section.
The Quad did play quite a bit of hard core porn in the early seventies when the major distributors refused to play first-run in the village, so that may have been the hooker era. This lack of mainstream product lead to a major lawsuit by the Quad owners against all the major theatre chains and distributors operating in New York at the time for unfair trade practices. The Quad won that lawsuit and went first-run dropping most x-rated titles.
Melba Moore?
Wow! I think you just proved John’s point.
Actually, not Loew’s but LOEWS for the last 47 years
Do you really think that a generation of kids leaving the museum thinking that the leaping figures were running from KING KONG is a good idea? Really?
The Schwarzer Adler was the Grande. Was there a second Schwarzer Adler in the forties?
Neon is expensive and noisy, breaks too easily, and takes time to replace. All we can expect is LED simulations.
Cineplex Odeon still exists in Canada as a company. Sign change approval is notoriously slow in Manhattan. Even bringing down a flag can require a permit.