Showing 751 - 775 of 792 comments
i thank brucec for his reply. but i am intrigued by your
comment-“Radio City was stuck with product like The Happiest
Millionaire and was locked out of getting better product”. one
question. how was Radio City “stuck” with the film? films
ran just so long at the Music Hall to begin with so how could
one film not being a box office hit effect the Music Hall's
over all financial well being? also how did booking THM for the
Thanksgiving 1967 period prevent the Music Hall from booking
“better product” when THM’s run ended? hear from you soon.
i thank Michael C. for the info.one of course should never assume
things but i always assumed that THE HAPPIEST MILLIONAIRE’s roadshow
run at the Pantages was a disappointment. i based this assumption
on the fact the film didn’t open in NYC till like 5 months later
with no intermission, 25mins. cut out and on a non-roadshow basis.
but an almost 7 month roadshow run at the Pantages seems decent
enough so i wonder why Disney chose to release it in NYC the way
since this theater is a decent size does anyone know if it
was ever used by the studios to present films on an exclusive
roadshow basis in the period 1955-1972?
its interesting the Fine Arts is the only art house in
Manhattan to have hosted 3 roadshow films-A MAN FOR ALL
SEASONS, THE CHARGE OF THE LIGHT BRIGADE and THE TROJAN
WOMEN. all three films also had souvenir programs.
Hello. i hope someone has a knowledge of London’s Cinerama
theaters. the summer of 1972 i had the opportunity to travel
to London. while there i saw a re-release of THE TEN
COMMANDMENTS, this is where my question comes in. i could swear
the name of the theater was the Shaftsbury Cinerama but when
i looked it up zippo. does anyone know what Cinerama theaters
were operating in London in August of 1972? thanks for any info.
hello again. reading my fellow poster’s comments always prompts
new questions on my part. here goes. the 1/21/11 note by William
states that 70MM didn’t arrive at the Palace till the June 1969
roadshow re-issue of BEN-HUR. since it was a tiny bit before my
time i’ve always assumed the Oct.1963 exclusive roadshow engagement of 55 DAYS AT PEKING at the Palace was in 70MM. i make this
assumption because Samuel Bronston’s two previous roadshow epics
EL CID and KING OF KINGS were shot in 70MM Super Technirama. so
regardless of the name of the actual process they were shot in
55…. wasn’t shot in 70MM like the other two films?
was the auditorium of the nearby Candler/Harris Theater completely
torn down or is it locked up behind Madame’s Tussaud’s Wax Museum?
the reason i ask is that there seems to be the rear facades of 3
theaters on the north side of 41 St. if two are the Liberty and
the New Amsterdam what’s the third one?
i remember this theater showing gay porn when i first visited
L.A. May of 1980. when exactly did it close as a mainstream movie
house and after that when did it start showing gay porn?
any photos of the theater in its early years as the Audubon?
for instance when “Down To The Sea In Ships” played a neighborhood
engagement after an exclusive 3 month run in Times Square?
one can’t help but wonder if the fire in 1978 that heavily
damaged the theater and lead to its demolition was as we call
them in New York City a “business fire”(hint,hint).
i just became aware of this website like a month ago. so i have
3 quick questions for devotees of the late Tower East.
none of the photo links for the old Loews 72 St. work. how
can i see photos of it?
the Tower East was built as a movie theater with no freight
entrance so how in God’s name will convert it into a super-
*also while we all lament the passing of a grand old movie theater
like the Loews 72 Street we must not forget that these grand old
theaters simply became economically unfeasible. :–(
i thank AlAlvarez for posting the street chart as to the situation
of which theaters were where. but it only prompts another question
on my part. so here goes. the Lew Fields/Anco Theater and the American were torn down, the Eltinge/Empire never went back to
41 St.,the Liberty auditorium is closed up,the New Amsterdam is
alive and well which leaves the Candler/Harris. now from the chart
the entrance/lobby of the theater ran alongside the Candler building and the body of the theater the auditorium was actually on
41 St. so when Madame Tussuad’s was built they completely torn
down not only the entrance/lobby area but the auditorium as well?
i am confused now. i had read in a book on the 12 theaters that
once graced 42 St. between 7th and 8th Avenues that the auditorium
of the Liberty was closed up and located behind Madame Tussuad’s Wax Museum. now as you directed i looked up the listing for the
Candler Theater better known as the Harris. if i understood it
correctly the Harris Theater was torn down to build Madame Tussuad’s. but i thought the Candler/Harris Theater was in back
of the Candler Building not adjacent to it. i don’t see how the
Liberty auditorium could have been right behind the Candler/Harris
why isn’t the Chandler Theater listed? the entrance was thru
the street level of the still alive and well Chandler Building.
like the Liberty auditorium which still exits behind Madame
Tussaud’s Wax Museum does the Chandler auditorium still exist
behind the huge MacDonald’s?
was the Regent the first movie palace built in the U.S. or
simply the first movie palace built in NYC?
in his comment of Oct.22, 2005 Robert refers to the X rated “Inga”
a film shown at the Loews' Cine as “porn”. i am a librarian by
education and vocation as a result am very picky about the use
of language. i do not think Loew’s would have booked an actual
porn film into the Cine. many X rated films at the time “Inga” was
released would probably get R rating today. so please unless its
actual porn do not refer to it as such. refer to it as an
exploitation film to use and old term. thank you.
was this theater ever known as the Metro ?
in NYC at least a “grind house” has a totally different meaning.
to which the vaguely negative term “grind house” refers mostly to the legitimate theaters on 42nd St. that after the depression became
movie theaters and ran B-movies, exploitation films and 3rd and 4th
run of previous exclusive engagement films.
in reply to my original post Techman replied that Grauman's
Chinese is a “grind house”. in my understanding of what defines
a grind house how is Grauman’s Chinese a grind house?
most grand movie theaters/palaces were built say 1913-1941. many unfortunately have been razed.likewise many still standing have
been boarded up or gutted for retail use. therefore i have this question- of all the grand movie theaters/palaces still standing
are there any that have never shown porn, never been a second run
or grind house, never been converted to a concert hall or
performing arts center,never been twined, tri-plexed or even
quaded but have stayed in more or less their original state and
as first run theaters from opening day? the only one in the
country i can think of is Grauman’s Chinese.
to Michael C. i apologize for the repetitive nature of my
questions. as you suggested i looked at the Grauman’s Chinese
page and the Cinerama Dome Page. i did find my answers. i will
be sure in the future to browse the comments section for each theater before i ask further questions.
i thank Tinseltoes for the advise on how to find all the
films that played the Strand/Warner on a roadshow engagement.
the advise was to search the NYT using ProQuest. what do i do?
type in “roadshow films at the Strand”? thanks in advance for
the additional info.
i thank Michael C. for the info. the sites were quite fascinating. but many roadshow films were not in 70MM or Cinerama. so i was
wondering how i could get as complete a list as possible of the
films which played the Loew’s State/Loew’s State 1 & 2 on
a roadshow engagement during the 1955-1972 period.. many thanks in advance.
hello to my fellow film buffs. i am doing my best to gather as
complete a list as possible of the roadshow films that played
at the seven theaters(Criterion,Loew’s State,RKO Palace,Demille,Warner,Rivoli,Loew’s Capitol in the Times Square area that the studios used for said policy. so would anyone have
a complete list of all the films that played at the Criterion on
a roadshow engagement during 1955-1972. many thanks in advance.
an interesting question recently popped into my head. during the
hayday as i call it of the roadshow film(1955-1972)how did studios
decide whether or not to release a film on a roadshow engagement?
was it the cost of the film? if it wasn’t that than what was the
deciding factor? take for instance “The Music Man” from 1962 and
“The Great Race” from 1965. both films most have cost a pretty
penny to produce yet their exclusive first run New York City
engagements were both at Radio City Music Hall. i can’t believe
that all seven theaters(Criterion,,Loew’s State,RKO Palace,Demille,
Warner, Rivoli, Loew’s Capitol)used for roadshow films were booked.