January 16, 2008
Movie theaters nationwide are going digital in film projection.
By the end of 2005, there were fewer than 200 auditoriums equipped with digital-projection equipment in the United States. At the end of 2007, there were about 2,500, and by the end of this year, there’ll be at least double that number.
Among the leaders has been UltraStar Cinemas, the 102-screen San Diego County-based theater chain whose mantra is ‘'pure digital cinema.’‘ It operates seven local multiplexes and others in Riverside, San Bernardino and Imperial counties.
Read the full article in the Union-Tribune.
December 10, 2007
Thomson has agreed to install digital projectors in a number of major theater chains around the world. This includes Clearview Cinemas here in NJ, although this story is not as big as the IMAX/AMC deal.
Thomson intends to complete the first phase rollout of digital projection systems in up to 5,000 screens over the next three to four years, with 15,000 screens in the United States and Canada over the next 10 years.
All hardware and software placed in each site will conform to industry-standard specifications published by Digital Cinema Initiatives LLC (DCI). Furthermore, the Technicolor Digital Cinema plan is technology agnostic, enabling both exhibitors and studios to benefit from the best available technology, including both 2K and 4K projection.
Read the full story in Business Wire.
November 21, 2007
Digital 3-D = *
Imax 3-D = **
Auburn: Carmike Wynnsong 16
Birmingham: Carmike Summit 16
Birmingham: Rave Lee Branch 15
Cullman: Carmike 10
Daphne: Rave Jubilee Square 12
Decatur: Carmike 8
Florence: Carmike Regency Square 12
Homewood: Carmike Wynnsong 12
Hoover: Rave Patton Creek 15
Huntsville: Carmike 10
Huntsville: Rave Valley Bend 18
Mobile: Carmike 14
Mobile: Carmike Wynnsong 16
Montgomery: Carmike Eastdale 8
Montgomery: Carmike Wynnsong 10
Montgomery: Rave Festival Plaza 16
Orange Beach: Rave Wharf 15 *
Vestavia Hills: Rave Vestavia Hills 10 *
August 22, 2007
The looming takeover by digital cinema projection recently took another leap toward fruition. The Arts Alliance Media, a United Kingdom based provider of digital cinema technology, announced a deal involving aggressive mutual interest cooperation with Universal Pictures and Twentieth Century Fox.
The three companies will combine forces to facilitate digitizing nearly 7000 european cinemas in only a few years. The countries involved include: Austria, France, Germany, Ireland, Italy, Spain, Switzerland, and the United Kingdom. For additional information checkoutArts Alliance Media.
May 25, 2007
According to Buena Vista, as reported in the trades, “Pirates Of The Caribbean: At World’s End” is the first movie to be shown domestically in the Digital Cinema format on 1,000 screens, suggesting continued growth of D-Cinema installations and industry commitment to a digital future.
Here’s a list of (most of) the D-Cinema locations for “Pirates” (minus the screen counts) courtesy of www.FromScriptToDVD.com
April 27, 2007
A new digital projector could persuade theater operators to switch over due to the large gap in clarity.
Sony is rolling out a new digital cinema projector that can display theatrical movies at a resolution four times clearer than High-Definition TV.
For more, go to TV Predictions.
March 30, 2007
On March 30, Disney will be releasing their latest animated movie, “Meet The Robinsons,” in more than 500 U.S. & Canadian theatres equipped for 3-D Digital Cinema presentation. (The movie is also being released in 2-D Digital Cinema and, of course, 35mm.)
D-Cinema systems (with 3-D capability) have been installed in hundreds of theaters over the last few weeks allowing “Meet The Robinsons” to be seen in over four times the number of venues as did Disney’s previous 3-D release, last fall’s re-issue of “The Nightmare Before Christmas.”
Here is a link to FromScriptToDVD.com’s list of theatres that will be showing “Meet The Robinsons” in digital 3-D.
March 21, 2007
DigiMediaFinance.com covers the complex issues surrounding the convergence of historical and emerging Hollywood and Silicon Valley business models and what it means for the Digital Entertainment consumer, entrepreneur and investor alike.
January 5, 2007
A very interesting commentary in the New Yorker appeared that discusses a number of topics brewing in movies. David Denby writes about the fate of films if they’re to be seen on iPods, the mentality of big studios heeding to the wishes of investors counterpointed with the workings of specialty divisions, and of course the state of the modern movie theater.
The neighborhood theatres that thrived at the same time were easier to deal with. Slipping in and out of them, we avoided the stern white-shoed matrons who patrolled the aisles; sometimes we arrived in the middle of the movie and stayed on until it reached the same point in the next show—we just wanted to go to the movies.
Even now, moviegoing is informal and spontaneous. Still, we long to be overwhelmed by that flush of emotion when image, language, movement, and music merge.
A rewarding piece well worth the time it takes to mine your way through it. To read the full article, visit The New Yorker.
November 17, 2006
BURBANK, CA — The rollout of the world’s brightest projector is coming to selected Los Angeles theaters. Going for the full splash, they’ll be coming to elite theaters first like Grauman’s Chinese, the Mann Village and the Cinerama Dome.
NEC Corporation of America today announced it is supporting the Technicolor Digital Cinema rollout through the installation of its NEC STARUS™ NC2500S Digital Cinema projector in three of the premiere movie theatres known to the Hollywood film industry. NEC’s STARUS NC2500S, the world’s brightest projector with DLP Cinema® technology from Texas Instruments®, will be projecting Hollywood’s hottest premieres at Mann’s Grauman’s Chinese Theatre in Hollywood, Mann’s Village Theatre in Westwood, and ArcLight Cinema’s Cinerama Dome in Hollywood.
“NEC is honored that Technicolor has selected our digital cinema projectors for installation in these impressive theatres,” said Kurt Schwenk, general manager, Digital Cinema Division of NEC Corporation of America. “We are excited that our projectors will help deliver an unparalleled visual experience for audiences and we expect our top-of-the-line projectors to leave a superior and lasting impression at these top three LA premiere sites.”
To read more, go to The Broadcast Newsroom.