November 11, 2004
BANGKOK, THAILAND — According to a report from the Bangkok Post, Shin Broadcast Internet is testing a new theater concept in Thailand.
The concept, dubbed “My Theatre”, is designed to deliver multiple forms of entertainment to small groups of people. Theaters are rented on an hourly basis by small groups of people — two, eight, or twenty-one patrons — who choose between watching films delivered via satellite, singing with friends in a karaoke session, or playing video games.
The test theater, which cost $250,000 to construct, was built in the Ratchaburi province. If the concept proves successful, the size of the existing exhibition industry in Thailand could double according to the theater’s backers.
September 8, 2004
Just as we have begun to understand the significance of 2K resolution (2048 x 1080 pixels) in the upcoming standards for d-cinema, technology is forging ahead again.
With the June 3, 2004 introduction of plans for not one, but two digital-cinema projectors at 4096 x 2160 pixel resolution (4K) with ‘unprecedented features’ and ‘a high contrast ratio’ (2000:1), Sony declared itself ‘taking the lead in the rapidly emerging digital-cinema market.’
For more information, read this Film Journal International article.
September 7, 2004
“What, a casual industry-follower might ask, is going on out there?” asks Alma Freedman in the August/September 2004 issue of ‘InFocus' magazine, published by the National Association of Theatre Owners (NATO).
“Have digital cinema’s files, servers, studios, consortiums, governments, and, finally, stars, somehow aligned for every land mass except North America? Have Asia, Europe and Latin America, beleaguered by piracy and a paucity of celluloid prints, taken U.S. exhibition’s spot in the digital-cinema vanguard?”
April 26, 2004
Following the 1994 Northridge Earthquake, the former Warner Hollywood Theatre was closed and later leased to the University of Southern California in 1999. Despite its unremarkable exterior condition, the Pacific 1-2-3’s main lobby and auditorium are in excellent shape.
The former balcony area, which was split in the 1970s to create a triplex, remains closed.
April 21, 2004
BURBANK, CA — In this past Sunday’s edition, the New York Times profiled the work of Lowry Digital, a state-of-the-art film scanning and restoration facility that’s been creating phenomenal digital transfers of classic films like “North by Northwest,” “Casablanca,” and “Raiders of the Lost Ark.”
Using its own proprietary software system, a fleet of super-fast G5 Power Macintoshes, and its 4K Imagica film scanner (which can scan film at twice the typical resolution), Lowry is able to provide unparalleled negative scanning and restoration services.
February 16, 2004
Where can I get information about digital movie licensing? No internet search engine seems to help much, but I’ve read articles that make vague references to how much the industry is saving and how much cheaper digital download high-def movies are. Anybody got any insight?
January 5, 2004
An interesting report in the Washington Post examines trends in movie theater pre-show entertainment. Pre-show entertainment typically consists of slide-based advertisements shown prior to the beginning of a movie, while the audience is entering the auditorium.
December 11, 2003
LOS ANGELES, CA — a new California state law, set to become active on January 1, will make recording a feature film with a camcorder a misdemeanor punishable by one year in jail and a maximum fine of $2,500, according to a report in camcorderinfo.com.
The law, signed by former governor Gray Davis, is designed to cut down on illegal recording activity in movie theaters, which is considered to be a primary source of bootleg movies sold on street corners in DVD form or downloaded from the Internet.
December 4, 2003
November 18, 2003
LOS ANGELES, CA — According to a report from Millimeter, Digital Cinema Initiatives (DCI), the digital cinema joint venture created by Disney, Fox, MGM, Paramount, Sony Pictures Entertainment, Universal and Warner Bros., has released Version 3.0 of its open digital projection standard. The new version includes support for a “4K” projection system (with 4096 by 2160 pixels) that is also backwards-compatible with existing “2K” digital projectors.