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The November 22, 1913, issue of Moving Picture World featured an article about the University Theatre (scroll down just a bit) with a small photo of the original facade. J.O. Canfield and C.J. Wagner were the operators of the house.
The theater’s mirror screen, the first of its kind in Los Angeles, was 12x16 feet. The programs consisted entirely of movies and music, the stage being only six feet deep. The 48x104-foot auditorium originally seated about 600. The University Theatre was open only in the evenings, except for one Saturday a month when free shows were presented for children.
The November 9, 1913, issue of Moving Picture World had a brief item about this house:
“The American Theater at Spokane, Wash., has been reopened with pictures, although it is announced that later it will go into a vaudeville circuit, in which the Advance Amusement Company, of Portland, Ore., is active. The lighting system has been replaced by a semi-indirect plan and the entire theater interior has been re-decorated.”
Trade journal Moving Picture World ran this item about Turner & Dahnken’s Theatre De Luxe in its issue of November 9, 1913.
The Rex Theatre was on the north side of W. Riverside Avenue a few doors east of Washington Street. WorthPoint currently has a postcard on display (second card in the popup slide show- some browsers might not be able to fetch it) which they date 1955. The Rex was open at that time, showing a Bette Davis movie.
If the date is correct, the movie was probably “The Virgin Queen” (the marquee isn’t really readable in the online display.) The newest cars I can pick out on the street appear to be from the early 1950s, so the Rex was certainly open at least that late. It’s definitely the same building as the one in the 1913 photo I linked to in my previous comment, too. The arch is recognizable, though partly obscured by a modern marquee.
Here is a small photo of the Alameda Theatre from the July 12, 1913, issue of The Moving Picture world. The caption says that the Alameda was a Turner & Dahnken house.
Gregg: The Colonial was a different theater, not yet listed at Cinema Treasures (I’ll submit it tonight.) It was located at 55 Broadway, and opened in 1912. About 1929 it was converted into a grocery store, and the building was demolished in 1974.
C.M. Garrett was probably the only operator the Yandell Theatre ever had. He made frequent contributions to Boxoffice Magazine’s “The Exhibitor Has His Say” feature in 1947 and 1948. Boxoffice of May 9, 1960, reported that Clayton Garrett had closed the Yandell Theatre and sold its projection equipment. He had attempted to sell the theater as a going business but there had been no takers.
The Abbott Theatre opened in 1950, according to that year’s construction reports in Boxoffice. It was a Dipson circuit house.
The Construction report in Boxoffice of August 22, 1936, listed the Weedsport Theatre and gave its opening month as March. The operator was named Earl Zimmer, and the house had cost an estimated $50,000.
In Google Street View or Bing Maps Bird’s-eye view I don’t see any buildings resembling any of those in the photo. A big chunk of downtown Batavia has been demolished and replaced by one of those enclosed shopping malls, so it’s likely that the Dipson Theatre is gone.
Boxoffice of July 11, 1936, said that Dipson Theatres had bought the property of the Dellinger Theatre, which had been destroyed by fire the previous year. However, a later issue of Boxoffice called the theater the Dillinger, so we still don’t have a confirmation of either spelling.
Dipson had no immediate plans for the property, the July 11 item said, but it was reported that they were considering building a new theater on the site. I’ve been unable to find any later Boxoffice items about this project, and it was apparently never built. A 1950 Boxoffice item ken mc cited on the Lafayette Theatre page says that, until three years before, the Lafayette and the Family had been the only theaters operating in Batavia.
It’s possible that the Dipson Batavia Theatre was eventually built on the site of the Dillinger-Dellinger, but then the Dipson has a very narrow front in between two much older buildings. I’d expect a late 19th century opera house to have a wider frontage.
The Buffalo area construction report in Boxoffice of August 22, 1936, lists the Avon Theatre at Boonville as one of three new houses being built in the region that year. The estimated cost of the project was $125,000, and the owner was Joseph Sternberg. The September 12 issue of Boxoffice said the Avon was expected to be open around Christmas. The opening might have been delayed a few weeks, as was often the case with new theaters.
A report in the Boonville Herald of May 11, 1939, said that the Avon Theatre had been renamed the Franjo Theatre. Boxoffice of May 27 said that Joe Sternberg had made up the new name from a combination of his and his wife’s names.
Here is a fresh link to the rendering of the Mancuso Theatre in Boxoffice of January 5, 1946.
Jeff, the view in the old photo is from 10th Street toward 9th Street, so if the candy store was in the white building next to Grant’s, the Strand’s address would have been a smaller number than the candy store’s. But the photo shows that the first Strand was definitely in the 900 block of State Street.
In Google Street View there’s a modern high-rise at the 10th Street end of the block. The buildings at the 9th Street end of the block have been replaced by what looks like a fairly recent building with a mirrored glass front.
The lots in between are occupied by what looks like a single modern building with a Rite Aid and a store called Thrifty Shopper. From its location on the block, I’m pretty sure the Strand was somewhere in the footprint of this building.
There is currently space for lease in this building, and the real estate site listing it says the building was built in 1925. As the Strand was in operation by 1916, either the real estate site is wrong about the construction date or the space for lease isn’t the Strand’s building.
The building’s address is 914-916 State, and I found an Internet listing for Rite Aid at 916 State. The Thrifty Shopper has closed since the Google camera truck went by and I can’t find an address for it, but it must be the space for lease at 914. It looks like they’ve renumbered all the lots, since Rite Aid’s entrance is closer to 10th Street than it is to 9th Street.
The Strand’s historical address was probably about 920, but the address today could be 914, or 916. Still, I’m not sure if the Strand’s old building is in this remodeled cluster or not. Alteration has been so thorough that even if a wall or two of the Strand is still in there, it would probably be unrecognizable as such. If the Strand has not been completely demolished, it has probably been virtually demolished.
Boxoffice of December 11, 1954, reported that the Fields Corner Theatre had been razed. It said that the house had been closed for several years.
The Liberty in Dorchester is listed in the “Theatre Construction, Openings and Sales” column of Boxoffice, October 8, 1949. The house had been remodeled for ATC Theatres and reopened as an art house. ATC (American Theatres Corporation) was a chain headed by Sam Pinanski, formerly of M&P Theatres.
The Music Makers circuit acquired the Dover and Community theaters in Toms River from SWK Theatres in 1976, according to a report in Boxoffice of October 18 that year. Music Makers planned to give the 800-seat Dover a complete modernization and redecoration. It would operated as a first run house with a $3.00 admission price, while the larger Community Theatre would become a sub-run house charging $1.50.
Boxoffice of May 28, 1979, said that the recently opened Cinema Alley Twin in Toms River was a client of Montclair, New Jersey, booking Agent Cinema Services.
Mike: Thanks for the comment. We’ll be glad to have any information you can provide about this theater or the Virginia. The Virginia Theatre also has a page at Cinema Treasures, but is listed under its last operating name, Cinema 19.
The finding aid for the Interstate Theatre collection at the Dallas Public Library lists the Tower Theatre as a project designed by architect W. Scott Dunne, with drawings dated August 10, 1936. The project included the “[c]onversion of building at Elm St., Pacific and St. Paul.” That would be the Tower Petroleum Building, which Dallas Architecture says was designed by architect Mark Lemmon.
The finding aid to the Interstate Theatre Collection at the Dallas Public Library lists the Austin Theatre as designed in 1938 by the architectural firm of MacKie & Kamrath. The Austin is also listed in the finding aid to the Karl Kamrath Collection at the University of Texas in Austin. This aid also features brief biographies of Karl Kamrath and Fred MacKie.
Here is a new link to the September 4, 1954, Boxoffice article about the new look at the Shaker Theatre. The subsequent three pages have additional photos of architect Jack Bialosky’s Midcentury Modern makeover of the damaged house.
Here is a fresh link to the June 2, 1956, Boxoffice article about the remodeled Granada Theatre.
After posting my previous comment I discovered another project designed by architect Jack Bialosky, that being a remodeling of the Shaker Theatre, Cleveland, following a fire in 1954.
The entry for the firm Brinkman & Lenon in the AIA’s Historical Directory of American Architects lists the Strand Theatre building among their works. Fred A. Brinkman was one of Kalispell’s leading architects for many years, operating his own practice before establishing a partnership with Percy H. Lenon.
A PDF of a walking tour of Kalispell from the Montana Historical Society has information about the Liberty Theatre. The Liberty was designed by local architect Marion Riffo, and opened on January 24, 1921. The first movie shown was “Humoresque.” The house had an organ, but the text doesn’t say what kind.
The original owner of the Liberty was Marius Anderson. Anderson Theatres eventually operated other houses in Kalispell as well: the Strand Theatre, the Gateway Cinemas, and the Midway Drive-In. The family-owned company was sold in 2000.