The latest movie theater news and updates
July 25, 2017
From the Hanford Sentinel: On July 31, The Metro 4 Cinemas will screen its last film.
The closing was announced on the theater’s Facebook page on Friday: “We are very sorry to be announcing that we will be closing The Metro 4 Cinemas. We’ve enjoyed serving you over the past 10 years and thank you for the loyalty you have shown.”
Some patrons of the theater may be in shock and disbelief, but signs on the doors confirm that the theater is indeed closing.
Culver Theatres opened the Metro 4 in 1983. In 2007, the owners of the building turned operations over to North American Cinemas, who gave it a $50,000 renovation that included upgraded projectors, sound and concessions.
North American Cinemas later became Santa Rosa Entertainment Group, the same company that owns Sierra Vista Cinemas 16 in Clovis.
From the Times News: Kingsport got its movie operation back on Thursday.
The ribbon was cut on NCG Cinema’s 10-screen venue at the Fort Henry Mall, and it all opens for business today.
Kingsport Vice Mayor Mike McIntire said having an excellent movie experience for citizens was important to the Board of Mayor and Aldermen.
“It’s certainly a quality of life issue … and we’re just glad you are here,” McIntire told NCG President Jeff Geiger and his group of workers at the Kingsport Chamber of Commerce event. “NCG has invested a lot of money in this property, and I know we will enjoy coming to the theater here.”
NCG Cinema boasts 10 fully renovated auditoriums in addition to an expanded lobby and improved digital displays, projectors and sound systems. The theater also has new ceilings, paint, flooring, lighting, restrooms and signage. NCG offers affordable movie tickets, free refills on popcorn and soda, select $5 movie tickets on Tuesdays and a loyalty program for moviegoers.
NCG takes over from Frank Theaters, which vacated the mall earlier this year after reaching an agreement with mall owner Hull Property Group.
Geiger said when company officials first saw the mall and theater operation, they knew it would be a big undertaking.
“We had big ideas, a big vision for what we wanted to do, and I think it came true,” Geiger said. “We wanted to move the front out and make this a nice open lobby — a modern, clean, nice feeling. … I think we accomplished that. We’re excited to be in Kingsport.”
From Valley News Live: Investigators are looking for the cause of a fire at a well known classic movie theater in the Valley.
According to reports the marquee sign at the Park Theater in downtown Park Rapids caught fire Monday night.
The fire started about 7:00 p.m. and the Park Rapids Fire Department posted on Facebook for people to give them room on the busy street so they could do their job.
About two dozen people were in the theater at the time, everyone made it out safely.
From WUWM.com: The Oriental Theatre on Milwaukee’s east side turned 90 at the beginning of this month. Its first day in operation was on July 2nd, 1927.
Lake Effect recently highlighted Milwaukee Film’s long-term lease of the Oriental Theatre, which will begin in July of next year. Milwaukee Film is the latest in a long line of organizations and individuals who have operated the theater during its history.
From Lehigh Valley Live: A fire at a Poconos movie theater continues to burn with no end in sight.
Firefighters were summoned to the fire at the Poconos Movieplex at 7:35 p.m. Sunday. The movie theater is at 125 Municipal Drive off Route 209 in Middle Smithfield Township.
Patrons had to clear out of the theater. Some stayed to watch firefighters battle the blaze.
Flames initially shot through the roof and smoke continued to pour out two hours later. The fire is being fought by Bushkill, Stroud, Marshalls Creek, Shawnee and East Stroudsburg fire companies.
No one answered the phone at the Bushkill Volunteer Fire Co. firehouse and the chief didn’t immediately return a message late Sunday.
The fire is in a strip mall once called the Foxmoor Village Mall but was renamed Pocono Square in 2010, according to a report in the Pocono Record.
The Record reported that the building changed hands when the previous owner couldn’t keep up with rent payments. It was purchased by Vermont state Sen. Kevin J. Mullin in 2010, the report says.
According to the Pocono Record, a fire destroyed a free-standing building in the front of the mall in 2009.
July 11, 2017
From MLive.com: Nostalgists, take note: Northern Michigan is home to a moviegoing experience that’s part of a not-quite-bygone era. The Cherry Bowl Drive-In Theatre near Honor – about a 40-minute drive from Traverse City – throws back harder and farther than most in this throwback business. The Cherry Bowl is a place for a classic family outing, offering a double-feature, activities for kids and all the nostalgic touches of a summer night out in the ’50s. Here are five things you need to know about this historic place.
From the Winston-Salem Journal: For a generation of people in Walnut Cove, memories of spending a quarter to see a Saturday matinee at the Palmetto Theater on Main Street come alive in Technicolor.
The theater itself? It’s dusty and dilapidated and, because of renovations over the years, barely recognizable as a 1940s-era movie house.
A small group of long-time residents wants to bring the shine back to the Palmetto and in the process, inject some life into a struggling downtown that has been hit hard by shifting shopping patterns and a slow decline in the town’s population.
“The building was in bad shape, and we were sad to see some of these old buildings fall down,” said Durward Bennett, one of seven investors in the project.
July 6, 2017
From The Verge: Director Christopher Nolan has made no secret of his preference for film over digital capture and projection, but his latest project Dunkirk is going to represent something of a high-water mark. According to Variety, the World War II drama will be projected on 70mm film in 125 theaters, topping the 100 theaters that showed Quentin Tarantino’s The Hateful Eight back in 2015. That makes it the widest 70mm release in 25 years.
The film, which chronicles the evacuation of Allied soldiers from Dunkirk, France, represents Nolan’s most ambitious use of film formats to date. While he’s utilized IMAX film cameras for sequences in films like The Dark Knight and Interstellar, with Dunkirk Nolan shot the entire film on a combination of IMAX 65mm and traditional 65mm film. The latter format has seen a bit of a mini-renaissance lately, with Paul Thomas Anderson also using it for The Master.
From CinemaBlend.com: Movie theater popcorn is a staple that moviegoers take for granted these days, but that wasn’t always the case. In fact, while the snack was an on-the-go staple thanks to street vendors, early theater owners refused to allow popcorn in their venues—mostly because movies early on were seen as highbrow entertainment. Andrew Smith, the author of Popped Culture: A Social History of Popcorn, has said that popcorn was out early on because owners were trying to keep the carpets clean. According to Smith:
Movie theaters wanted nothing to do with popcorn because they were trying to duplicate what was done in real theaters. They had beautiful carpets and rugs and didn’t want popcorn being ground into it.
So what changed? Why are we now capable of consuming the buttery, salty goodness at most movie theaters? The answer is that the average movie consumer changed, especially during the Great Depression. Back in the silent era of movies, people dressed to the nines to see films on the big screen. They were also a highbrow medium, as literacy wasn’t nearly as high around the turn of the 20th century and the audience needed to be able to read to really enjoy silent films. However, as sound was ushered in, movies became a medium for the masses. And with the newfound era of moviegoing came snacks. Lots and lots of snacks, including popcorn. But at first that popcorn wasn’t even sold by the theaters.
According to the Smithsonian Mag, popcorn was a cheap snack that could still be afforded by the masses during the Great Depression. However, most theaters didn’t have the ventilation required to pop its own snacks. Vendors would sell popcorn on the streets as people flocked to the theater, and theaters would charge the vendors a fee for “lobby privileges”—essentially selling to the patrons of the theater. Later, the middle man wasn’t needed. As theaters realized they could make more money if they sold their own snacks, theaters began selling popcorn and other concessions. That’s when theaters really began to see their profits soar.
There’s more to the history of popcorn. During WWII, when sugar was rationed, popcorn was still a treat on hand. And popcorn has stayed popular in theaters over the years, for good reason. Theaters reportedly get to keep 85% of what they make on concessions, and that counts for nearly half of movie theaters' total profits. Movie theaters have been quietly making a fortune on popcorn over the years. Back in 2014, AMC and Regal both saw increases in revenue, mostly thanks to popcorn. (Although the advent of higher ticket prices and 3D movies has certainly helped.)
Theaters have changed a lot in recent years, adding comfortable seating, dine-in options, alcohol and other gimmicks. But one thing remains the same: popcorn, and its high price tag.
June 23, 2017
Theatre Historical Society of America invites you to an exclusive preview of “Going Attractions: The Definitive Story of the Movie Palace” on Wednesday, June 28th at the historic Million Dollar Theater in Downtown, Los Angeles.
This fundraiser event and sneak peek film screening and reception will honor those who have worked to restore LA’s historic theatres.
Beginning at 7pm, guests will enjoy a documentary exploring the beauty and history of historic movie palaces and a Q&A with the filmmakers following the screening. Concessions will be available.
This special sneak peek is open to the public for $25 admission, and is included in THS' Full Conclave Registration. For more Conclave info visit here.
For more details on the film, please visit www.GoingAttractions.com/films
INTERVIEWS IN THE FILM INCLUDE:
- Leonard Maltin: (film critic and historian) Interviewed in the United Artists flagship theatre (Ace Hotel) in Los Angeles
- Rosie Novellino-Mearns: (led the Showpeople’s Committee to save Radio City Music Hall in the 70’s) Interviewed in the Egyptian Theatre in Los Angeles
- Ross Melnick (PhD in media and entertainment, media historian UCLA) Interviewed in the Saban (former Fox Wilshire) Theatre in Los Angeles
- Escott O. Norton: (Los Angeles Historic Theatre Foundation) Interviewed in the Rialto Theatre in South Pasadena (as seen in “La La Land”)
- Richard Fosbrink: (Executive director of the Theatre Historical Society) Interviewed in the Athenaeum Theatre in Chicago
- Jerald Gary (30 year old owner of south side Chicago theatre) Interviewed in his Avalon New Regal Theatre in Chicago
- Matt Lambros: (New York photographer of abandoned theatres) Interviewed in the Loews ‘Wonder Theatre’ in Jersey City
- Barbara Twist: (managing director of the Art House Convergence) Interviewed in Quentin Tarantino’s New Beverly Theatre in Los Angeles
- Craig Morrison: (President of the Theatre Historical Society Board of Directors) Interviewed in the Music Box Theatre in Chicago
- Jerry Michelson: (owner of the Uptown Theatre in Chicago; awaiting restoration) Interviewed in the magnificent Uptown in Chicago
- Dave Strohmaier: (film historian and director of Cinerama Adventure documentary)
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