The latest movie theater news and updates
May 24, 2017
From the Schuyler Sun: The Schuyler Enrichment Foundation has decided to close the Colfax Theatre for the summer following the Memorial Day weekend show on Sunday and reopen the doors on Labor Day weekend.
This decision was made because of a lack of attendance and difficulty in getting weekend managers and volunteers during the summer.
Attendance at the theater has declined through the years and the cost to show movies has increased since the theater opened more than 10 years ago. If attendance does not increase when the theater reopens in the fall, the Enrichment Foundation may close the doors permanently.
During the summer, the foundation will be optimistically planning for the future of the Colfax Theatre. Deep cleaning will be done, plans for additional use of the theater will be explored and possible schedule changes will be looked at.
From Culture Map Austin: On Friday, May 26, Austin Film Society will open the doors to its new art house movie theater at 6226 Middle Fiskville Rd. Ahead of the premiere, CultureMap has a first look at AFS Cinema.
The property, formerly Marchesa Hall and Theater, officially transformed into the AFS Cinema in spring 2016, but it closed last fall for a major overhaul. Updates include a new lounge area; full-service bar; marquee sign; updated event hall; and additional cinema, bringing the total to two screens.
Designtrait and Michael Hsu Office of Architecture teamed up with AFS founder and acclaimed director Richard Linklater to redesign the space. The goal was to make AFS Cinema a destination for casual moviegoers and film buffs alike.
May 23, 2017
From The Boston Globe: It would be costly — but not entirely impossible.
A group of students from Boston College this month determined that more than $10 million would be needed to bring the long-shuttered Everett Square Theatre in Hyde Park back to its former glory, and reopen it to the public.
From the Salamanca Press: The light at the end of the restoration tunnel is visible at the Historic Hollywood Theater.
It has taken more than 20 years and lots of work from volunteers and craftsmen to get the the theater into the condition it is today at 39 W. Main St.. A family-owned Buffalo restoration company, Swiatek Studios, has restored the ceiling and portions of the walls of the 990-seat theater, including a 22-foot convex dome at its center of the ceiling. The dome changes color on a ceiling that took the company four months to clean and preserve.
Some of the walls have been restored as well, including plaster mouldings, rosettes and other decorative pieces.
May 19, 2017
Flushing, Queens, NY – Landmarks approves plans to disassemble RKO Keith’s Flushing Theater’s historic interiors
From 6sqft.com: In a rare case, the RKO Keith’s Flushing Theater is an interior landmark, but the building it’s inside is not landmarked. Built in 1928 to the designs of noted theater architect Thomas Lamb, the elaborately ornamented Churrigueresque-style movie palace has sat decrepit for the past three decades, until Chinese firm Xinyuan Real Estate (they’re also behind Williamsburg’s Oosten condo and the forthcoming Hell’s Kitchen condo that will be anchored by a Target) bought the vacant theater for $66 million last year with plans to develop it into a 269-unit luxury condo. Moving ahead with this vision, they’ve tapped Pei Cobb Freed & Partners and preservation specialists Ayon Studio to erect a 16-story glass tower at the site, which includes plans to “enclose the interior landmark, and to disassemble, restore off-site, and reinstall salvaged ornamental plasterwork and woodwork and replicas” in a new residential lobby. Despite some opposition from the Historic Districts Council (HDC) regarding public accessibility, the Landmarks Preservation Commission voted in favor of the plan, congratulating the architects and expressing great admiration for their design.
From Curbed NY: New York City is about to lose another independent cinema. Rumors have been swirling for years that Landmark’s Sunshine Cinema on East Houston Street would be redeveloped, and now, the New York Post reports that it’s a done deal. According to the paper, developers East End Capital and K Property Group closed a $31.5 million deal for the movie theater, with plans to redevelop it into “a mixed-use development with retail and upstairs office space.”
Landmark’s Sunshine Cinema opened in 2001 in a building that had served as a theater for more than a century, first for vaudeville acts and then for film screenings. But the theater has been in trouble for a few years now, and was dealt a blow in 2012 when the local community board voted against a plan that would have allowed the cinema to serve food and drinks.
From Curbed LA: Today marks the 90th anniversary of the day Hollywood impresario Sid Grauman opened his Chinese Theatre, which would become the most famous—and arguably the greatest—movie theater ever constructed.
As a recent LA Times profile explains, the extravagant theater was constructed at a hefty cost of $2.1 million on land that Grauman didn’t actually own. The showman, who also developed Downtown’s Million Dollar Theatre and the Egyptian Theatre just two blocks east of the Chinese, leased the land on which the iconic theater sits from silent film star Francis Xavier Bushman, who owned a mansion on the site.
The building was designed by architectural firm Meyer and Holler and represents an Art Deco-influenced (and shamelessly exoticized) reinterpretation of a Chinese temple. The theater’s facade is framed around a 90-foot tall pagoda topped with masks and flanked by imported artifacts from China, such as stone figures and temple bells, as LA Conservancy notes.
The theater’s most famous feature, the Forecourt of the Stars, is as old as the venue itself. Screen icons Douglas Fairbanks and Mary Pickford were the first stars to preserve their handprints and footprints for posterity, according to the Times. Though the two actors wrote the theater’s opening date in the concrete, however, the prints were actually made a few weeks earlier in advance of the venue’s first big premiere (Cecil B. DeMille’s biblical epic King of Kings).
Now named after Chinese electronics manufacturer TCL, the theater recently underwent major renovations that equipped it for IMAX screenings. And 90 years after opening day, it’s still the place to beat for star-studded red carpet premieres. Here’s a look at the historic venue over the years.
From the Palm Beach Post: There was a time when going to the pictures in Palm Beach County had a special cachet.
Local theaters featured elaborate lobbies with smoking rooms and painted tropical murals. One theater bragged about its giant curved screen and “Ultravision” technology. Others advertised balcony seating and “all rocking chairs.”
May 9, 2017
La Puente, CA – La Puente’s Star Theatre could be headed for demolition. Here’s why activists are trying to save it.
From the San Gabriel Valley Tribune News: Every night, Danielle Gonzalez makes a point to drive by the Star Theatre.
The 27-year-old La Puente resident said she finds comfort in the fact that the theater, though infamous for showing pornographic movies from the 1970s to the 1990s, still stands.
Despite its seedy past, the 1940s-era building, a barrel-shaped structure stretching across the full length of its block at the edge of downtown La Puente, is historically and architecturally significant, Gonzalez said.
“It’s more of the visual aesthetic, ‘Hey this is La Puente,’” she said. “It may not be 100 percent perfect or beautiful, but it’s still our history.”
The city may soon lose that piece of history — the new owners of the theater at 145 N. 1st St. are working on a plan to demolish the building and develop condominiums on the site.
Linda Young, of Star Theatre LLC, which purchased the building from its previous owner in April 2016, said the building has fallen into disrepair and would need extensive work to bring it up to code.
“I want to keep it also, but there are so many problems there,” Young said by phone last week. “There’s no way we can keep it.”
Designed in the late 1940s by renowned theater architect S. Charles Lee, the Star is one of five theaters designed by Lee using a lamella roof form, a vaulted roof made up of crisscrossing arches. Lee’s La Puente theater is significant because it is the only one lacking a rectangular facade that conceals the barrel shape of the auditorium from the street, according to Marcello Vavala, a preservation associate at the Los Angeles Conservancy.
Vavala said the La Puente theater is an example of Lee experimenting with building types unusual for movie theaters.
“The lamella roof form is mostly used for industrial warehouses,” he said.
That’s why Gonzalez, a board member for the local nonprofit Arteologists, hopes to convince the city and the owner not to demolish the theater and instead renovate the building and repurpose it as a venue for community performances, art therapy and movie screenings.
“It’s not like it’s actually going to benefit the city to build more condos, especially not down there,” said Gonzalez, who plans to address the City Council during its regular meeting today.
May 2, 2017
From WYSO.org: Picture it – Bellefontaine, Ohio 1931. You’ve taken a seat inside the new Holland Theatre.
High upon the theatre walls around you is a 17th century Dutch cityscape – rows of nearly life-sized houses, their window boxes filled with tulips that wave in the breeze. Several large, slowly turning windmills are also there and above you, a bright blue sky; billowy clouds float by.
In front of you, the largest movie screen in the state fills the stage. And, as you’re watching the popular films of the day, your brain registers that things are changing all around you. The daytime-sky above falls into dusk, and then into a night-time sky filled with thousands of tiny, shining stars. Candlelit windows on the Dutch houses give the impression of life inside.