The latest movie theater news and updates
September 19, 2016
From the Mercury News: CinéArts will stay open for another two years after its parent company reached an agreement with Palo Alto Square property owners, city officials announced Thursday.
The theater at 3000 El Camino Real will stay open while Cinemark Theatres and Hudson Pacific Properties Inc. “undertake improvements to the building and assess the long-term future of the theatre,” the city of Palo Alto news release stated.
At the urging of city officials, the property owner and its tenant have continued negotiations in the past couple of months.
News of the theater’s closure surfaced as it neared the end of its lease in August.
Hudson Pacific will make improvements to the building as requested by Cinemark. The company also intends to make landscaping, amenity and other aesthetic improvements to Palo Alto Square.
“This reprieve for the Palo Alto Theatre is the result of efforts by Hudson Pacific and Cinemark Theatres with encouragement from the city,” said City Manager James Keene. “Hudson Pacific and Cinemark are to be congratulated for coming together for the good of our community.”
The city had hoped for a long-term lease extension, Keene said.
“But the theatre will remain open and ultimately the economics of the theatre’s operations will determine whether CinéArts will remain in this location,” Keene added. “To see a longer lease extension in the future, our community will need to actively support the theatre.”
Hudson Pacific senior vice president Drew Gordon said the company appreciates “cooperation and goodwill” by all parties.
“The next two years are a window of opportunity to determine whether the theatre can operate in Palo Alto Square for the long term,” Gordon said.
Tom Owens, executive vice president of real estate for Cinemark, said the theater company applauds the efforts by Hudson Pacific and the city of Palo Alto to enable the theater to continue operations.
“We believe the theatre can stay in Palo Alto with the community’s full support, and we look forward to the opportunity to serve Palo Alto and the surrounding region,” Owens said.
City officials such as councilwomen Karen Holman and Liz Kniss and community members rallied to show support for the theater in recent months, collecting more than 2,500 signatures to petition the theater to stay open.
City officials had said that had CinéArts left, the building’s owner would have to find another theater tenant or request rezoning to allow for an alternate use.
Palo Alto Square was developed through a Planned Community zoning ordinance in 1969, allowing uses such as office space and a hotel that has since been amended.
The closure of CinéArts would have left Palo Alto with the Aquarius Theatre on Emerson Street, which also is a first-run theater that shows some independent films, and the Stanford Theatre, which shows classic movies.
Link to the story: http://www.mercurynews.com/2016/09/15/palo-alto-theater-to-stay-open-for-next-two-years/
ABOUT THEATRE HISTORICAL SOCIETY OF AMERICA: Founded by Ben Hall in 1969, the Theatre Historical Society of America (THS) celebrates, documents and promotes the architectural, cultural and social relevance of America’s historic theatres. Through its preservation of the collections in the American Theatre Architecture Archive, its signature publication Marquee™ and Conclave Theatre Tour, THS increases awareness, appreciation and scholarly study of America’s theatres.
Learn more about historic theatres in the THS American Theatre Architecture Archives and on our website at historictheatres.org
From the Idaho Press-Tribune:
The interior of the historic Pix Theatre in downtown Nampa is stripped bare and empty, save for some old promotional materials, construction equipment and a few piles of dirt.
Debbie Lasher-Hardy, a local real estate professional who bought the 70-year-old Pix in February for an undisclosed sum, appears to see it like an artist would a blank canvas with a history.
“It’s dear to my heart,” Lasher-Hardy said. “It was a theater that I group up with and attended.”
She realized she wanted to buy the Pix two years ago, she said.
“Every time that I would drive by and see that nothing had happened yet, I felt that it was my mission to make this thing happen,” Lasher-Hardy said. “And I know a lot of people in this community — worked with a lot — and I’m just going to reach out to them and ask them to come in and help, basically.”
Lasher-Hardy came on the scene on the heels of the nonprofit foundation that struggled for years to revive the downtown building.
The Pix Theatre Foundation was raising the $1.5 million necessary to revive the Pix when the roof collapsed in 2003. The roof was replaced in 2006, and from there the board members struggled to break even with fundraising costs, insurance, taxes and other expenses.
By December 2014, the foundation board members said the project needed new leadership and indicated a desire to sell the theater.
“We’re tired,” Pix Theatre Foundation President Debra Lindner said prior to stepping down. “We’ve done everything. We’ve been the committee heads. We’ve done the fundraising. We’ve gone down with a shovel and shoveled dirt. And we’ve wanted to. We’re not sorry about it, but people can only do so much for so long. We just need a boost. If the community speaks and wants this theater to be complete, now is the time for people to come forward and help it happen.”
Lasher-Hardy said some of the former board members are interested in being involved again, and she is considering what role they will play as she puts together her leadership team. On her list of members for the Pix Anew board is Steve Perotti, her pastor at First Christian Church in Nampa and a self-professed fan of the theater arts.
“There’s a huge opportunity for us as a community to make this happen again,” Perotti said.
As Lasher-Hardy showed the Idaho Press-Tribune around the dark and dusty Pix earlier this week, she talked about her plans for the future.
The new owner is optimistic about the public’s ability to band together to fix the Pix.
“My idea for fundraising is more to reach out to the community with all of their expertise, their professionalism on whatever they can give and would like to give,” Lasher-Hardy said.
September 16, 2016
From the Triad Business Journal: The former Addam’s University Bookstore that borders UNCG has been sold to the university.
The building is at 326 S. Tate St. It was built in 1938 and is a cornerstone of the eclectic Tate Street business district.
From the Wichita Eagle: They were going to tear it down and replace it with a parking lot.
You’ll read that on the timeline of many historic downtown theaters across the United States, including several dozen in Kansas. Thanks to grass-roots efforts to save and preserve the buildings, historic theaters across the state make great road trip destinations, taking you to the cultural core of towns of all sizes, showcasing architecture of a bygone era and providing diverse entertainment, including movies, concerts, comedy shows, plays, ballet, opera, musicals, children’s programming, lectures and conventions.
These theaters were designed and constructed during a time when the building was meant to be part of the show-going experience.
“All of these theaters have a tremendous history, and their beauty takes you back to a different time, a different place,” said Jennifer Allen, past president of Wichita’s Orpheum Theatre and president of the Kansas Historic Theatres Association until she moved to Colorado recently. “It’s a really fun experience to go see a show at a historical theater in any town.”
You can find theaters in all stages of restoration in Kansas. Some are fully restored; for example, Emporia’s Granada Theater or Hutchinson’s Historic Fox Theatre. Some are operating yet continuing restoration efforts, such as Wichita’s Orpheum Theatre or the soon-to-open Burford Theatre in Arkansas City. Others are closed while undergoing restoration, such as the Colonial Fox in Pittsburg, although still offering tours and occasional events.
The approach taken with the 1924 Burford Theatre is a good example of what you can expect when visiting one of the region’s historic theaters. Executive director Ellen Snell said the project involved preserving, restoring and modernizing. For example, they were able to preserve the 92-year-old terrazzo floor in the lobby. There are signs of wear and tear – like the marks from stools used where a soda fountain once stood – but nothing distracting. They restored the orchestra pit and the single stage, which had been removed when the building was converted to a three-screen movie house, and returned the decorative scope of the entire theater to its original Spanish renaissance style. They modernized the bathrooms, concessions areas, audio-visual technology and seating.
Taking a tour, attending an event, shopping at the theater’s gift shop or becoming a patron all support a theater’s renovation efforts and its ongoing operations. Next time you’re in the mood for dinner and a show, check the schedules at these historic theater destinations. Though their calendars are fullest from September through April, they schedule programming year-round and take a something-for-everyone approach.
The Augusta Theatre was built as a movie palace in 1935 and operated by the Bisagno family for 50 years. It was donated to the local arts council in 1989 and has been completely restored to its appearance in 1948, which was the year a full concessions stand was built in the theater’s lobby. The exterior of the two-story art deco building features individual tiles of opaque structural glass and a decorative neon marquee. The colors of interior murals, hand-painted ceiling panels and handmade ornamental plaster designs create an Egyptian appearance.
Volunteers operate the theater, which mostly shows current movies on Saturdays and Sundays. This fall’s schedule also includes children’s theater. Check the schedule at augustahistorictheatre.com.
Burford Theatre (Arkansas City)
The Burford Theatre opened in 1924 as a vaudeville silent-movie house. It was converted to a three-screen movie theater in the mid-1980s and closed in 2004. It was donated to the local arts council, which decided to renovate and restore the space to create the VJ Wilkins Family Center for the Arts at the Burford Theatre. After 12 years of work, including thousands of volunteer hours and $7 million raised through private donations and grants, the Burford is scheduled to reopen this month.
The main auditorium, which seats 350, will be open, but the balcony is not yet finished. While operational, the theater will begin a second restoration phase. Grand opening events are scheduled from Sept. 29 through Oct. 2 and include a theater dedication, an open house, a 1920s-themed party and two performances of the “Burford Follies” featuring Music Theatre Wichita and local talent.
Initial programming is scheduled through December and offers movies, dinner theater, a vaudeville night and jazz performances. For more information, visit the VJ Wilkins Family Center for the Arts at the Burford Theatre page on Facebook or call 620-442-5896.
Emporia Granada Theater
The Emporia Granada Theater opened in 1929 with 1,400 seats, showing movies and hosting live performances before closing in 1982. The theater sat empty and deteriorated until demolition threatened in 1994. Local residents rallied to save the theater, and it reopened in 2007, renovated to its original Spanish Colonial Revival style inside and out and now seating 800.
“One of the things we’re really proud of is the painted ceiling,” said Bryan Williams, executive director since 2012. “When you come in, be sure to walk all the way down to the stage and look back. The ceiling alone took 30 days to sand it back and hand paint it using stencils.” The carpet was specially milled to match a swatch of the original carpet, and there is gold leaf paint in the lobby.
Williams said community support has been strong for programming that includes concerts, comedy shows, movies and dinner movies, and it’s not unusual for events to sell out. Upcoming events include country acts Craig Morgan on Sept. 28, the Charlie Daniels Band on Nov. 6 and Sawyer Brown on Dec. 10. Visit emporiagranada.com for a full schedule.
Hutchinson’s Historic Fox Theater
Hutchinson’s art deco Fox Theatre opened as a movie palace in 1931 and closed in 1985. A local preservation group purchased it in 1990 and reopened it in 1999 after spending $4.5 million to restore it to its 1931 appearance. Josh Davies, executive director, said visitors are intrigued with the intricate decorative moldings; the original light fixtures, including six large chandeliers; and the marquee, the first flashing display of neon in Kansas and now one of the few surviving original and functioning marquees in the country.
Programming includes live entertainment by nationally touring performing artists, Hutchinson Symphony Orchestra performances and a weekend film series shown on a 40-foot-wide screen. Fall concerts include Frankie Avalon on Oct. 8, Lyle Lovett and Robert Earl Keen on Oct. 28 and jazz artist Karrin Allyson on Nov. 17. Visit hutchinsonfox.com for a full schedule.
C.L. Hoover Opera House (Junction City)
In 1882, a section of the newly constructed public hall in Junction City was built as a 600-seat opera house. A fire destroyed the building in 1898, and it was rebuilt the same year; this time the theater had a larger stage and more seats. It operated until 1982, seeing many renovations and eventually becoming a movie theater. The theater remained closed for 26 years, then reopened as the C.L. Hoover Opera House in 2008 after a $7 million restoration.
The exterior looks the same – distinguished by a Romanesque-style clock tower – while the interior layout changed significantly to become a multi-use facility for the local performing arts community in addition to hosting regional and national acts in a 416-seat theater.
Events this fall include a New York touring musical comedy improv, the premiere of a film based on Kansas history and shot nearby and a “Singin’ with the Big Band” concert featuring Christopher Alan Graves. Find a full schedule at jcoperahouse.org.
McPherson Opera House
When the McPherson Opera House opened in 1888 as a live performance venue, it had no equal between Kansas City and Denver, making it a popular stop for acts crossing the country. It was designed with two balconies and seating for 900. It converted to a movie theater with one balcony in 1929 and closed in 1965. A group formed in 1986 to save the building from demolition.
After $8.5 million in renovations, the building is now a fully restored multi-use facility. The 470-seat auditorium reopened in 2010 with 1913-style renovations, when a redecoration added decorative stenciling throughout and a hand-painted mural above the proscenium arch. There’s also a resale shop on-site that benefits the opera house and an arts center with classes and rotating galleries.
McPherson Opera House events this fall include a cappella, opera, cowboy music, jazz and bluegrass. Visit mcphersonoperahouse.org for more information.
Orpheum Theatre (Wichita)
When the Orpheum Theatre opened as a vaudeville theater in downtown Wichita in 1922, it was the first atmospheric theater in the United States.
“An atmospheric theater was a theater with a painted theme that gave you the feeling you were somewhere else. Ours was under a Mediterranean sky,” said Diana Gordon, the Orpheum’s president and chief development officer.
The theater closed in 1976 and was saved from demolition in the mid-1980s. It officially reopened in 2000, and since then, more than $5 million has been raised and invested in the theater. The auditorium, which seats 1,298, has yet to be fully renovated.
The Orpheum hosts more than 100 events each year, and fall is typically its busiest time. In addition to its monthly classic film series, the theater screens films as part of the Tallgrass Film Festival in October. Other upcoming events include Alton Brown on Oct. 6, Elvis Costello on Oct. 8, Boz Scaggs on Oct. 23 and Lewis Black on Nov. 18. See the complete schedule at wichitaorpheum.com.
Stiefel Theatre (Salina)
The Stiefel Theatre opened in downtown Salina in 1931 as the Fox-Watson Theater, an art deco venue that showed mostly movies until it closed in 1987. It remained dark until a nonprofit restoration group began work in 1997 and reopened it in 2003.
The completely renovated theater seats 1,287 and has one of the busiest schedules among the state’s historic venues. Among the Stiefel’s upcoming shows are ZZ Top on Sept. 21; Martina McBride on Sept. 23; an evening of rock, blues and folk with Elvin Bishop and Charlie Musselwhite on Oct. 22; humor writer David Sedaris on Oct. 30; and the Goo Goo Dolls on Nov. 7. A full schedule is available at stiefeltheatre.org.
From The Pioneer Press: Following legal mediation between the city of St. Paul and First Avenue/JAM Productions, the budget for renovation of St. Paul’s Palace Theatre is going up $1 million — again.
The projected cost of converting the old vaudeville stage into a modern concert hall about twice the size of First Avenue in Minneapolis grew from an original budget of $12 million to $14.6 million last year, requiring a quick cash infusion of $1.7 million grudgingly approved by the St. Paul City Council.
The new budget will be about $15.6 million.
“The last budget had contingency (funds) in it,” said St. Paul Housing and Redevelopment Authority Director Jonathan Sage-Martinson. “A couple of things have happened, and we’ve spent that contingency.”
He added: “Our work will be done in early December. We’re down to the last painting and patching. As we’ve gotten there, we think we’re going to need another $1 million.”
Among the curve balls: Contractor bids for aspects of the restoration came back higher than expected, and a few unanticipated expenses were added to the design.
September 15, 2016
From Cleveland.com: The historic Variety Theatre is about to light up.
On Saturday, Sept. 24, the new marquee on the 1927-built theater at Lorain Ave. and West 118th will be turned on at a street party in front of the beloved theater, closed since the 1980s.
The marquee is the first step in a planned $15 million restoration of the Variety, which featured everything from vaudeville to classic movies to punk and metal bands over the years. It was metal legends Motorhead, in fact, who got the venue shut down with a court order in 1984 after a plaster- and neighbor-rattling show.
The 28-foot, 2,280-LED-bulb marquee is far more than just a bunch of lights, though. It’s a literal sign to the world that the Variety’s restoration process has begun.
“People are so excited when they see the marquee is ready,” says Ward 11 City Councilwoman Dona Brady, who has made restoring the Variety a goal since 2006.
“I’m just ecstatic about this, it’s been a long process,” says Brady, who grew up in the area attending Sunday afternoon children’s matinees in the 1,900-seat theater.
“Residents see it as a sign that the Variety is coming back. That’s why I wanted to start the restoration with the marquee. It’s a visible sign to everyone that we are making progress, that the rebirth of the Variety has begun.”
Just this week, in recognition of that rebirth, the Variety was the winner of the This Place Matters awareness campaign sponsored by the National Trust for Historic Preservation. Officials hope the award will raise the national profile of this Cleveland gem.
The new marquee is a replica of the original 1927 vertical blade-style marquee, damaged by a tornado in 1953, not the later horizontal marquee Clevelanders who saw movies at the venue in the 1970s or rock shows in the 1980s might remember.
The Variety Theatre opened on Nov. 24, 1927, with a screening of Clara Bow’s “Hula.” The Spanish Gothic theater was designed by Cleveland architect Nicola Petti, who also designed the Cedar Lee Theatre in Cleveland Heights.
Warner Bros. purchased it in 1929 and kept it until 1954, as one of the busiest movie theaters on the West Side. The 1970s and ‘80s were less glamorous for the venue, but no less busy, as it became a second-run theater and finally a concert club. It has sat largely empty for the last 30 years.
The marquee was paid for by $110,000 in neighborhood-development funding. A $100,000 grant from FirstEnergy Corp. was used to bring electricity to the building.
The next step in the building’s restoration is emergency repairs to stabilize the roof and prevent further water damage. Brady says the funding is already in place for this, from casino tax money made available to City Council members.
The councilwoman estimates it will take about $15 million to restore the Variety. That includes the 20,900-square-foot theater area, and everything else in the block-long building at Lorain Avenue and West 118th Street.
The campaign for the Variety got a big boost last December, when the Ohio Development Services Agency announced it was one of seven applicants in Northeast Ohio to receive an award of Ohio Historic Tax Credits. It received a commitment of $1.4 million in tax credits, “a pivotal piece of financing to move the renovation of the closed Variety Theatre closer to reality,” says Brady.
They’re currently waiting on the announcement of allocatees for the Federal New Market Tax Credits in November. If all goes well with these, the Variety will have amassed approximately $7.5 million through Ohio Historic Tax Credits and Federal New Market Tax Credits, says Rose Zitiello, executive director of the Westown Community Development Corp.
When that funding is in place, a new LLC will be created and Westown and the Detroit Shoreway Community Development Organization will take over ownership of the building from the Friends of the Historic Variety Theatre.
Designs call for the first-floor theater area to be sectioned off into a restaurant and entertainment venue. Cleveland restaurateur Tony George, founder of the Harry Buffalo chain and Barley House, has signed on to build and manage the restaurant.
“We’re just in the design stage and not sure what kind of restaurant it is going to be yet. They gave me the basic white box, and I am working with it,” says George. “I think the restoration of the Variety is a great thing. I was born and raised on the West Side and went there as a kid. The Variety was a great place.”
The street level will also feature 10 retails spaces, including the offices of Westown Community Development Corp.
Upstairs, Westown will oversee a movie theater that will screen classics, children’s films and other repertory cinema. Brady says they are not sure of the capacity of this yet, but there are 350 seats in this balcony area now.
Zitiello says they expect to break ground on the restoration in the second half of 2017. She expects the project will take at least two years to complete.
That’s nothing, says Brady.
“People think that the Capitol Theatre and Gordon Square happened overnight, but that took 30 years. … This is going to be a catalyst for the entire neighborhood.”
The marquee at the historic Variety Theatre will be lit at a street party from 4 to 8 p.m. Saturday, Sept. 24, in front of the theater. There will be family activities and entertainment including Y Music children’s choir from 4 to 6 p.m. and Frank & Dean from 6 to 8 p.m. The marquee will be turned on at 8 p.m. Mayor Frank Jackson and Councilwoman Dona Brady will be in attendance.
From WBUR.org: When you think of widescreen cinema there’s a good chance “Lawrence of Arabia” or “2001: A Space Odyssey” come to mind. They were shot to wow audiences with a picture so enormous it would literally turn heads. From left to right in a jam-packed movie palace, that is, not toward a tiny personal screen.
And unless you’ve seen them in 70 mm — the most robust of all motion picture film formats, popularized in the late ‘50s and '60s to lure people away from TV — you haven’t seen them at all. So says David Kornfeld, the head projectionist at the Somerville Theatre.
“The 70 mm frame is bigger than your iPhone!” Kornfeld points out, referring to the size of the image on a film print. “You should not miss these.”
Both classics will screen in 70 mm along with 14 other films as part of the Somerville’s 70 mm & Widescreen Festival. It’s a first for the theater, as well as the region, and the showings will take place from Friday, Sept. 16 through Sunday, Sept. 25.
Kornfeld is die-hard about film tech history, with a rabid fondness for 70 mm in particular.
“Film stocks, projectors, cameras, lenses, special effects, the history of sound … it goes on and on,” he says. “You will never touch bottom. You can spend a lifetime and still learn something.”
Putting together a festival that celebrates all that widescreen formats can offer has been a dream of his for at least a dozen years. But he didn’t do it alone.
Reviving ‘A Dead Format’
“I’ve worked every theater in Boston. Most don’t exist anymore,” Kornfeld says of a projectionist career that started in 1978 and fizzled out as systems became automated, unions broke down and, in his opinion, quality control disappeared. He says Ian Judge, the Somerville’s director of operations and programmer, pulled him out of retirement in 2004 (about two years after Judge took the reins). They’ve been plotting ways to screen 70 mm ever since.
First they needed projectors. Judge says that Boston Light & Sound helped him track down a pair of Norelco DP-70s from the home of film restorationist Robert Harris about a decade ago. That was the easy part. Tweaking sound capability, including finding and installing processors, was far more complicated. As an example, there are 10 different sound formats for 70 mm alone.
Judge recalls that naysayers told him, “This is pointless, you’ll never find prints to run, it’s a dead format.” Last year, the Somerville ran several 70 mm screenings to troubleshoot glitches and now, Judge says, “We can run virtually every format ever made with rare exceptions.”
While shooting films on 70 mm became less common from the ‘80s onward, there are still many titles that were blown up to 70 mm for a better picture and six-track magnetic sound. “Silverado,” Lawrence Kasdan’s 1985 Western that is showing in this year’s festival, is case in point.
From the Dallas Morning News: There was never any doubt that the Dallas City Council would vote Wednesday to designate the 78-year-old Lakewood Theater an official city of Dallas landmark.
“This building is the soul of East Dallas,” said council member Phillip Kingston, whose district includes the former movie palace.
Failing to protect it was never an option.
“This is something you ought to be very proud of as a city,” Landmark Commission chair Katherine Seale said shortly before the council’s 15-0 vote in favor of landmark status for the Lakewood. “I want to applaud all of you.”
The process, which Seale started last year without the owners' consent, wasn’t easy. It took longer than anyone expected and hit a few speed bumps when the owners and city staff spent the first half of this year wrangling over footnote-size details involving parking requirements, roofing materials, exterior remodeling and other minutiae.
But, finally, it’s done — and with the blessings of the Lakewood’s owners, Craig Kinney and Bill Willingham, whose property has been vacant while awaiting the outcome of Wednesday’s vote. Kinney said afterward that he was relieved because now they can begin marketing the building, whose limbo has cost the owners a small fortune in would-be rental revenue, he said.
Kinney said that “at most it would be divided into three spaces,” probably for restaurants that have expressed interest in recent months. He said there could be other uses, but that’s confidential for now: “Don’t want to give competitors any information,” he said on his way out of City Hall.
Preservationists and neighborhood residents first became concerned about the Lakewood Theater’s fate in November 2014, when Kinney and Willingham began touting a major makeover and said the cavernous theater would probably be divvied up into several spaces. The owners maintained that the neon tower would remain.
And, for a while, the neighborhood was content with that. But in August 2015, crews were spotted tossing the Lakewood’s chairs into a dumpster, and word spread that the stage was being ripped out. The owners maintained that it was for asbestos remediation. But Seale and East Dallas residents weren’t satisfied with that answer.
September 14, 2016
From the Los Angeles Times: The iconic Bay Theatre in Seal Beach has sat dark for the past four years, but a Fullerton-based developer with a penchant for historic buildings has recently made it his mission to purchase the venue and rehabilitate it for films, music and the arts.
With the Seal Beach City Council’s vote Monday officially designating the structure as a historic landmark, Paul Dunlap of the Dunlap Property Group is one step closer to breathing life back into the abandoned building. “I personally like preservation and historic buildings,” said Dunlap, who added that he became aware of the art house in early May through friends. “I appreciate the history of the architecture of the area; it helps people have a greater sense of the place.”
Located on Main Street and Pacific Coast Highway, the single-screen theater has been a significant gathering spot for locals since it opened in 1947. It featured independent, foreign and classic movies on 35mm film for $8 admission until it closed in 2012. The noticeably large structure stands out among the boutiques and other shops on Main Street.
From the Democrat & Chronicle: The 87-year-old marquee at the Little Theatre was taken down from the front of the historic East Avenue theater Monday. The marquee will get a renovation that addresses not only its appearance, but also its structure and electrical components, said Jim Malley, facilities manager of the theater.
“Safety was a concern,” Malley said. Zoning laws have changed since the marquee was erected around 1929, and the marquee is no longer in compliance with modern-day codes. As a result, the process will require frequent meetings with the city to get approvals. The goal is to have the marquee back up and running in October or November.
The marquee has had a series of changes and improvements throughout its history. The goal of this restoration is to incorporate the best features of the previous versions and add some new touches as well, he said.