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A Local Assistant of mine with ABC had worked at the Odeon Swiss Cottage during WW2 and had done ‘fire watch’ duty on the flat roof. She said it was a lovely theatre at that time.
I suspect that the profile photo may actually be that of the narrowed circle at Swiss Cottage which comprises the Screen1/IMAX auditorium.
If Odeon are determined to persist with their ‘no tabs’ policy (as I suspect will be the case) they could at least choose a more restful and warm colour scheme than ‘Royal Blue’.
The home page photo depicts a cold looking, devoid of atmosphere auditorium with – as usual – the bare screen staring one in the face……
ABC Huddersfield was where The Beatles first performed ‘I Wanna Hold your Hand’ :–
When it was a PROPER cinema :–
Fine new watercolour by local artist, Eric Thompson.
Fine new watercolour by local artist, Eric Thompson uploaded to the photos section. The theatre is depicted as it would have appeared in 1965, one year before closure in 1966 when the town, once with three Essoldo operated venues, was left with only the Odeon which itself would disappear in 1983……..
Auditorium photo uploaded.
Curtains/tabs provide the ‘finishing touch’ to a cinema and, sadly, about 90% of today’s venues lack that ‘finishing touch’.
Lets’s hope that OLS does not follow suit….
Bravely spoken, Lionel – but I agree with every word you have said!
If ever a cinema had nine lives it is that one……….
I spent a few years in the 1970’s as A/M at the ABC Huddersfield and the Princess seemed to do very well with the second runs from both the ABC and the Classic.
I only visited the Princess once and it was on a rare Saturday night off. I went to the pay box ready to ‘cough up’ for the price of two circle tickets but the Manager/Lessee, Donald Whitehead (late of the Empire), happened to be duty cashier. Recognising me, he only charged for one, issuing a complimentary ticket for myself. He duly signed the back of it otherwise the ticket checker upstairs would have challenged its presentation on a Saturday.
The second feature, ‘Rio Lobo’ was about half way through as we sat down and when it ended the houselights came up and the festoon curtain was lowered. It was a pretty cinema and, I have to admit, retained nearly all concealed lighting and decorative fittings as opposed to the ABC where, by this time, our notorious cost-cutting Zone Manager had seen to it that very little remained illuminated apart from the main ceiling fittings and the house tabs….
Fully expecting to see the adverts and trailers when the lights dimmed and the festoons opened, I was amazed that they proceeded straight to the main feature,‘Carry On Behind', a first run (unusual for the Princess).
Some time later we acquired one of the Princess’s projectists at the ABC and I mentioned the unusual programme format. He told me that the ads, trailers etc always formed the beginning of the programme there and furthermore,that on the occasions when an epic film with an intermission was presented, the ads and trailers played after the intermission – prior to part two of the feature.
That must have been the most unusual procedure of any cinema anywhere – unless anyone knows of anything even odder still, that is……
I remember York was converted in 1972 around the time of the many ‘drop wall’ Rank venues.
Ironically, in my native North East, the first such conversion was in my home town of Bishop Auckland which must have been the very smallest province where Rank were represented .
I knew the Manager, Walter Aylen, very well and he expressed his amazement that York was converted in this manner. He did say that it was good to have an 880 seat Screen 1 (that was the capacity he stated) but that they could simply have retained the front stalls seating as an ‘overflow’ area.
I dare say that Rank had a good reason for converting York (and Chester) as they did. Perhaps extra staff would have had to be deployed in the front stalls whereas the stadium plan could be served by the normal strength?
Certainly, it would have been better for the front stalls to have been retained given what Everyman now propose to do in the main auditorium. I am sure that under these circumstances they would have done a Muswell Hill type restoration with NO FLOATING SCREEN…..
I have to admit that I have not read the plans, davepring,but ,given the sightline issue, the floating screen will, accordingly, not have to be any lower than the existing screen.
At least the new organisation want to make a feature of the proscenium via the floating screen being backlit but, yet again, we are back to the absence of screen tabs…..
Very sad that a cinema of this calibre has been sacrificed for yet another soulless multiplex…….
As you say, RichieA70, Odeon Barnet’s screen was brought forward and raised when Rank increased the number of screens from three to five. Prior to then, of course, it had been a standard ‘drop wall’ with the original proscenium housing the main screen.
In the case of Odeon York the original proscenium remains intact for, whilst not a ‘drop wall’ conversion, the circle stepping was continued to almost the orchestra rail thereby creating a very nice stadium auditorium.
The reversal of the original scheme, which (I understand) included the retention of the proscenium and the fitting of quality house tabs, in favour of a ‘floating screen’ is indeed lamentable………
I assume that the intention is to provide a larger sheet size but, as the existing proscenium is very wide, it is a great shame to compromise the integrity of the cinema in this manner.
I hope that Everyman have a change of heart and use Muswell Hill (which looks splendid) as the ‘York Model’ as opposed to the ‘Barnet Formula’……
Three links to footage re the restoration:–
The first includes a clip of the famous ‘bullion carrying’ velvet house tabs opening. It does not look like these are going to be replicated,sadly…….
So why the change of heart regarding the opulent stage drapes and appropriate lighting? I thought that Everyman were enthusiastic about such features in their traditional venues as in the case of Muswell Hill and Esher.
Perhaps some ‘whiz kid’ has joined Everyman and the two aforementioned theatres will receive the ‘floating screen’ look also.
I detest the damned things; they are just about acceptable in mini auditoria – but in the Odeon York main auditorium?……..
What a delightful little cinema!
Cliff Richard was interviewed on ‘Look North’, the BBC regional news magazine, this evening re the Globe Stockton’s restoration. Bruce Welch and Brian Bennett (of The Shadows) were actually at the theatre speaking about their own appearances there long ago. Interesting that Cliff said he had only appeared there once in his career, namely in the pantomime, ‘Babes in the Woods’ in the early 1960’s. How many appearances did he make according to the ads I have uploaded to the photos section?……
Photo uploaded: The ABC Globe Stockton backstage in 1962. George Skelton, Manager is at the back with Assistant Managers, John McIntosh and Bill Postgate.
George had invited members of The TownsWomens Guild (it was the Chairman’s birthday) to meet Max Bygraves who was headlining a week’s variety show.
George became a good friend some years later whilst at the Haymarket Newcastle and ABC Darlington after a period as Manager of ABC Chester following the sale of Stockton to next door Debenham’s Department Store. Thankfully, the store group decided, after all, not to extend onto the ABC site and it was subsequently leased short term to the Lipthorpe Brothers (Fiesta Club etc) before being sold to Mecca who operated it as a Bingo Club until they moved to new purpose built premises in 1997.
Now, happily, the building is being restored to its former glory for live presentations but it seems unlikely that it will ever again show films; this will be a great pity as it would be ideal for Premieres of major new releases prior to general release in the multiplexes.
At ABC conventions and meetings up and down the UK necessitating hotel stays, Managers were invariably allocated twin rooms (not so for the great and the good…) and George and I often shared on this basis.
He told me about his experiences (he had started as a reporter with the Grimsby Telegraph after WW2 prior to joining ABC in 1948) particularly in relation to the lavish live shows at Stockton and elsewhere.
The event which caused him the most excitement (of the wrong kind) was when,on November 22nd 1963,The Beatles were headlining a show at the Globe which also included The Vernons Girls and the Kestrels.
This date, of course, goes down in history for a world shaking event, namely the assassination of John F Kennedy. The Beatles, unable to contact Brian Epstein, were unsure whether or not they should appear as events globally were being cancelled as a mark of respect.
Much to George’s great relief the show did go on and one can only imagine the furore which would have resulted when having to deal with fans more upset by The Beatles' non appearance than by the death of the US President….
Omitted from the main overview is the fact that in 1959 ‘Todd AO’ was installed. The huge concave screen and tabs were positioned forward of the original proscenium.
Unusually, the Compton organ at this time was retained even though the orchestra pit and console were now concealed by a carpeted ‘semi reverse’ rake forward of the front stalls crossover. On the occasions when the organ was played a sliding hatch had to be used before the organ lift was operated…….
ABC transferred the festoon curtain (from the old pros) to the ABC Ritz Barnsley and it was used for all performances there whilst the draw house tabs were then only used at the beginning and the end of the day.
2 images uploaded including a very rare one of the old place whilst still open in 1967.