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As well as the 2800 seat Ritz theatre in Elizabeth N.J. Just off a complete refurbish to its original 1920’s glory.
This will be sort of a throw back to the 1970’s, when many of the remaining large theatres would show closed circuit fights. Of couse that lasted a few years, and eventually those theatres were either split into several screens, or demolished.
What’s this?? Justin the biggest of the ‘I love digital’ fans says a digital movie was blurry because he sat to close to the screen?? I guess that means that when all the theatres have digital in a few years (perish the thought) that the first say 10 rows cant be sold because the picture will be blurry. Don’t seem to have that problem with good old 35 or 70MM. Makes you wonder…
What do you think Cinemark?? How about you vito?? Never mind…I know what you all think…and I couldn’t agree more.
Hey newt, I did a google map search, and this place is not to far from where I was for thanksgiving. My aunt lives near Akron, which is southwest from this place. It is located right near lake erie.
Just to add to what my good friend vito said, and man did he hit the nail on the head, but what about how all these film companies dont want to strike any more new prints for revival houses. I have had the pleasure of running reel-to-reel on occasion, and let me tell you, it is great to be able to make those changeovers so seamlessly. (I’m sure vito would agree) But without any new 35MM prints being struck, I’m afraid revival houses are going to go the way of the covered wagon. Because we all know, none of them will spend the money it takes to convert to digital, and they only use it a handfull of times a year. And THAT gets a BAAA HUMBUG!!!!!
I did not mean it in a bad way newt. I meant you could probaly go out there and really make the place work. These people are learning from the prior management who screwed it up in the first place.
You go newt!!!
I LOVE it. I have been saying, if it ain’t broke, don’t fix it!!!! But all I get are comments how this digital crap is going to be the end all be all. Go ahead, go see your movies in digital. Me, I’ll stick with good old 35MM. Actually 70MM would be even better!!!
I can understand the need to protect people, I’m all for it. But the Station Club was a unique and unfortunate incident. With a theatre, unless a major renovation takes place, such venues are grandfathered so as to not get hit with such an expense.
I will do that.
To MBD, I hope one day I can get up to the Loew’s to see a movie, and meet you. Only problem is I work every Friday and Saturday. And to Vito, my dear friend, its good to know you are doing well. It was my pleasure to help you in White Plains, just too bad my back (which has gotten worse by the way) did not see it the same way. Amboys was a trip wasn’t it? Reminds me of that old song, ‘havin a heat wave…’ I now work for an indy, but cannot move or lift any prints off platters. Goona be 50 in January, and aint worth nothing anymore. MBD, I wish I could see ‘Oliver’ on your huge Scope screen.
Couldn’t agree more newt.
I’m sorry vito, and I apologize. But it really gets me when someone says I’m hiding. I have nothing to hide. You personally know me from the old Amboys days with Ted, Jimmy, and the boys, and from White Plains. We may had our disagrements, but I respected you and valued what you said, and I always felt the same from you. I was only making the point that others on this site have the same opinions of the presentation, so what does that say. By the way how are you doing? Good health I hope, and have a safe holiday season.
I also agree with Bill Huelbig, in that sitting in the front row of a palace is unlike anything else you can expeirience. Thats why i’m glad to see places like Jersey City and Elizabeth and Red Bank among others get saved from the wrecking ball. The ONLY thing I can agree with Mitchell the projectionist on is that going to a shoebox to see a movie is like seeing a picture on a cell phone.
So Mitchell, you are the big wig top notch projectionist since 2001. WOW!! I have been an IA UNION projectionist (something you wouldn’t even know about I guess) since 1976, I’m guessing before you were even born. As far as hiding behind an id, I’m not hiding, the person I know who worked that booth years ago was Bernie, thats all I’m putting up on a public site. And as far as anything else goes, so you are going to be the big man to run 70MM? Well lets see I was doing that as far back as 1984. Oh, but thats right I dont know anything. And if you think I dont appreciate old movies and theatres, I just hope the Ritz in Elizabeth N.J. gets sold to a private group soon, so I can get my screen, dolby CP-55 sound and carbon arc projection up and running. Oh and did you ever run IMAX? Ever see an IMAX system?? So before you say I’m hiding, know who you’re talking to. I may not know what some people on Cinema Treasures do, but I’ve FORGOTTEN things you’ll never even learn. And good luck with your Norelco projectors, they are a hell of a machine. I ran them too!!!
You know I have to agree with you on most points Cinemark. (Digital aside, you know my feelings on that one) You say the same things my father would say before passing on 15 years ago. Nothing GOOD management and upkeep cant cure. Unfortunately, in todays world, we have nothing but pencil pushers running the industry, and we also have the “out with the old, in with the new” attitude. I would sooner go the the theatre showing 70MM, 2nd run and lower prices, than I would a place with top-down masking, (god do I hate that. I call it shrink-scope), and 95 seats. But what do I know, I’ve only been an IA projectionist now for almost 34 years, come June 2009.
Yes Joseph, I too know someone who once was a projectionist there, and he says basically the same things you do. Most of the focus problems are because the gates in the projectors are plastic, as opposed to metal that 99% of projectors use. You couple that with the intense heat comming off the carbon arc, and as my friend said, the gates could melt away.
Yes MPol, I agree.
Having worked for this company for many years, its sad to read this. I always thought they, along with General Cinema, were 2 of the best run companies in the industry. With that said, looks like the mighty empire is crumbling. Note to Sumner: Let Shari have it, maybe she can save it.
I agree with Rory, this place should have NEVER been split. My greatest memory of this place was just before it was twinned. I was on a school trip to see “Doctor Doolittle” with Rex Harrison, and our school was seated in the balcony. What a grand place that was. And to dave-bronx, I think they may refer to it as a ‘cross-section’, but I’m not sure.
You could be right Scott, but in these trying times, I know I am always late with my electric bill, they threaten after maybe 45 to 60 days to turn me off, but never after 10.
Blue, red, whatever. I always find both Warren G’s and Lost Memories posts fascinating. The point here is, and always will be, that it was a SIN that this place was ever demolished in the first place. And that goes double for the Capitol.
Big business at its best. Always bullying the little guy.
Yes outafocus, those old GCC days were good. My twin had a Century JJ2 in Cinema 1 , and a Century “H” in Cinema 2. Did not have the Ashcrafts by them, we were Xenon. And I actually remember those Christmas ads that larry goldsmith mentions above. One more thing, do you remember when we cross-plugged the movie on the other screen? “Also Showing at this Theatre.” The 2 old union guys I worked with hated it when they had to change those trailers on the platters.
Man did Peter ever hit the nail on the head. Clearviews platter jockeys, dont I know them. The same bunch of little popcorn poppers that put me out of work 4 years ago. And I thought that if youre running classics, you cant platter them. At least thats what Ive been told by some very reliable people. And as far as Justin with his Blue-ray, he likes anything digital or high tech. If you read his posts from various North Jersey venues, you always see he cant wait for digital, and “oh theyre only showing it in 35mm” Give me 35mm and reel-to-reel anyday, anytime, anywhere.