August 22, 2016
From the Allegan Co. News: A piece of history is returning to Allegan’s iconic Regent Theatre.
The theater’s film projector for at least 70 years is being rebuilt for display by Lake Allegan resident Michael Huth.
For more than two years, Huth has disassembled every piece, cleaning, repainting and rechroming and then reassembling the subassemblies.
“Plans are to put it in the lobby for all to see the history of film,” he said. “It’s a magnificent piece of machinery you might see at Henry Ford Museum but it will be right here in Allegan.”
The projector became obsolete after the Regent, along with movie houses across the country, were forced into digital conversion in order to receive first-run movies. The last movie the old projector played using 35 mm film rolls was “Hunger Games.” It was also the first movie played on the new digital projector Dec. 4, 2013.
To get the old, 6-foot-tall film projector removed from the projection booth, it was disassembled in five or six sections. That’s when Huth noticed it was about to be lost forever.
“I didn’t want someone to heave it in a dumpster so I volunteered to restore it,” he said.
Like the community members before him who restored the theater itself back to its original glory, Huth said he has a fondness for the Regent, it’s architectural art deco style, and that it’s locally owned.
Living in the area for the past 20 years, he’d like to find out more from old-er-timers about the projector—when it was installed and when it was modified to Dolby. He wants to list that information along with names of projectionists on a plaque for display.
“There were originally two projectors used, and feature films came on five to six reels,” Huth said. “After playing Reel 1, the projectionist would switch to Reel 2 on the other projector and, if he was really good, the audience wouldn’t notice.”
At some point in time, the second projector became obsolete when splicing began to be used. Using a platter 6 feet in diameter, the film was spliced together into one roll and then the splices were broken up to rewind the film back up into smaller rolls.
“I’d also like to know the time of conversion for that,” he said.
Huth scavenged some of the parts from the second projector to make one that was operable. The lamp housing will be lit underneath with LED lights to show the engraved glass and how it would look while it was running.
Today, movies arrive on a hard drive that plugs into the projector’s processor.
Huth has an engineering background working 33 years in machine design making printing presses at Rockwell in Chicago before retiring.
“I didn’t know there was a Rockwell in Allegan until I moved here,” he said.
He continues to split his time between Allegan and Chicago where he is involved in set design and playwriting for live theater. In Allegan he owns Whisper Ridge bed and breakfast. It includes a refurbished 1893 wooden caboose on Lake Allegan.
Another volunteer in the project is West Michigan Painting, a body shop on Ida Street.
They’re doing all the painting,” Huth said. “I turn stuff into them, they paint it and turn it around.”
Huth has even called Henry Ford Museum to get tips on how to clean nameplates and maker decals without stripping them with solvents.
“I think people who aren’t interested in mechanics will stop in their tracks to look at it,” he said. “It’s all bright and shiny with a black gloss and has been rechromed.”
The project is about three-quarters complete.
“I am hoping for completion by the end of the year,” he said.
August 18, 2016
From The Herald-News: VenuWorks plans to take the management reins Sept. 1 at the Rialto Square Theatre – and begin looking for shows even sooner – after being selected Wednesday as the firm to run the theater.
The Rialto board voted 6-0 to hire VenuWorks to manage the theater.
The one possible dissenting vote – Mary Beth Gannon – was taken from the Rialto in an ambulance just before the meeting started while repeatedly coughing violently for several minutes. A friend said Gannon was having an asthma attack.
The vote on Wednesday does not immediately give VenuWorks the job.
The Rialto still must negotiate a contract with the Iowa-based venue management company.
But both sides expressed confidence they would get that done so VenuWorks could begin work Sept. 1.
“We’ve developed a good relationship with them,” said VenuWorks Chief Financial Officer John Siehl. “We want to make this work.”
Siehl said the company’s booking office will start looking for acts at the Rialto immediately.
“Probably tomorrow we’ll start making calls and letting people know that this is part of our roster,” he said.
VenuWorks manages 37 theaters, sports facilities, conference centers and outdoor venues.
The Rialto board rejected requests from a few people who asked that the selection of a manager be slowed down for a month. The call for delay came amid a push to give the management contract to Ron Onesti, who runs the Arcada Theatre in St. Charles.
Onesti Entertainment was one of five companies reviewed by a Rialto committee that recommended VenuWorks and Pinnacle Venue Services as the two finalists for the job.
Gannon last week helped initiate an online petition drive urging Onesti for the job, and Onesti appeared at a City Council meeting on Monday with supporters suggesting the city intervene in the selection process.
Pinnacle in making its final presentation on Monday announced that Onesti had become part of its team and would be involved in the Rialto if the firm got the job.
The Onesti movement took another turn Wednesday when Onesti sent a letter addressed to city officials and the Rialto board calling all five management proposals “worthless” because the firms did not know enough about the theater. Onesti also urged a delay.
Pinnacle Managing Partner Doug Higgons, when asked before the Wednesday meeting, said he was not aware of the Onesti letter.
Adding Onesti to the team may not have helped Pinnacle.
From WVLT-TV: After months of work replacing light bulbs and refurbishing the vertical sign and marquee outside the Tennessee Theatre, it’s time for the signs to light up again.
The theatre will celebrate the return of the iconic signage to Gay Street with a free open house and relighting ceremony on Wednesday, Aug. 31.
“The vertical sign is an important part of downtown Knoxville’s visual identity and our theater’s history,” Tennessee Theatre Executive Director Becky Hancock said. “After more than two months of work, we will welcome back our vertical sign and refurbished marquee, both of which will shine on Gay Street even brighter and better. We look forward to the public joining us for the celebration.”
McCarty Holsaple McCarty Architects and Interior Designers is sponsoring the open house, which includes self-guided tours of the stage and backstage areas from 6:00-8:00 p.m., and organ music from house organist Dr. Bill Snyder on the Mighty Wurlitzer. Visitors can also get their portrait with the marquee thanks to a caricature artist.
August 16, 2016
Middlebury, VT – Town Hall Theater preserves historic character of building while enlarging stage door
From the Addison Independent: MIDDLEBURY — There was only one problem with the original 1884 loading dock door at Middlebury’s Town Hall Theater. It was too small to actually load anything into the theater.
“The original door gave us a 4’ by 6’ opening, far too small for the kinds of set pieces we use in productions today,” said THT executive director Douglas Anderson. “The old door was historic and lovely, but it seriously limited the kinds of productions and events we could host here at THT.”
August 15, 2016
From the Ruidoso News: In 2006, Dr. David Kammer submitted a multiple property listing titled “Movie Theaters in New Mexico built from 1905 to 1960” to the National Park Service for a National Register of Historic Places consideration.
It was the first step in the nomination process and an important acknowledgement by The New Mexico Historic Preservation Division of its support of the New Mexico Main Street Program’s quest to identify the state’s historic movie houses. While not specifically named in the nomination, (letters were sent to owners and, in this case, there may have been no reply) Carrizozo’s Lyric Theater, formerly the Crystal Theater, is a prime example of the type and use of buildings, both existing and new, that became social centers in large and small towns alike.
The nomination remains timely even 10 years out, since at 8:30 p.m. Saturday, the marquee of the Lyric will be lit after decades of being dark.
Despite its remote location, Carrizozo was uniquely positioned for a movie theater due to the rail road that brought in influences from afar. The rural community was not alone: New Mexico saw an explosion in opera houses across the state. Just two years after the opening of United States’ first movie theater in Buffalo, New York in 1896, the movie “Indian School Day” was made in New Mexico and the Grant Opera House opened in Albuquerque.
August 11, 2016
From the Boothbay Register: A steep increase in rent will likely draw the curtain on the Harbor Theatre for good, according to longtime owner and operator Jason Sheckley. Under the current lease agreement with Hermon-based Ellis Commercial Developers, the theater has been allowed to pay below market rent in order to keep the movies running year round. According to both parties, after negotiations stalled this summer the Ellis group has decided to charge the full market rate for the space beginning in the fall of 2017.
“To be sustainable, the theater has always required outside subsidy,” Sheckley said. “Below market rent, support from the “Friends” organization, sale of memberships and advertising has provided that support. With the rent increasing dramatically, the current arrangement just will not work going forward.”
The rent hike — described as prohibitive by Sheckley — would further squeeze the small margins the theater operates on and force Sheckley to increase prices for concessions and movie tickets.
“We would be looking at $14 or more for an adult admission,” said Sheckley. “It’s a huge increase.”
After its launch in 2002, Bank of Maine — the former owner of the Meadow Mall where Harbor Theatre is located — wanted the theater run as a year-round concern.
“We accepted the market rate for rent at that time but soon discovered it was too high for us to make it,” said Sheckley. “The theater can’t be open more than 10 hours a week because of the low winter population.”
The current lease ends on Sept. 30, 2017 and Sheckley has pegged Sept. 4, 2017 as the last day of operation barring a major development. It’s not the first time the theater has faced imminent peril; in 2013, the one-screen cinema was forced to convert from 35mm film to an all digital format. A fundraising campaign led to over 140 donations from the community and the theater was spared.
According to Ellis Development Group owner Tom Ellis, the current agreement is far below market value and the company is simply exercising its right as landlord.
“Any rent that was offered to him was at or below market rate,” said Ellis. “I have an obligation to my center and bank to at least get equitable rates. Again we weren’t even at market rate with his.”
As far as a subsidy, Ellis said it should have been negotiated into the original lease from the Bank of Maine.
“We certainly can’t take a hit like that or subsidize a lease. We wouldn’t be in business long,” said Ellis. “Movie theaters in strip centers in small markets, that’s a very tough situation. You don’t see that very often.”
From WWLTV.com: It’s 10 a.m. on a Friday morning and a movie more than 50 years old, “The Sound of Music,” fills the theater. Just hours later, it’s a much different scene as the audience for “The Rocky Horror Picture Show” fills the seats.
That perhaps best describes the Prytania Theater: iconic, eclectic and enduring.
“People feel comfortable here,” said Robert Brunet. “And in this crazy world we live in today, comfort is a pretty important thing.”
Robert Brunet and his family know a little about the movie business. Led by the family patriarch, Rene, who will soon be 95 years old, the Brunets have been running theaters for 75 years, the last 20-plus at the Prytania, which celebrated 100 years of showing films in 2015.
That’s a lot of big numbers for a theater that’s only ever had a single screen.
“When you step through these doors, it’s like a time machine,” Robert Brunet said. “You go back in history.”
And for many, there’s no other way to watch.
“I love the big screen and everything,” said Virginia Carreca laughed. “They come right to your face.”
The Prytania Theater still has a 35mm camera for film. They can use it, but they don’t anymore. The majestic lobby is from an era long gone, but technologically speaking, The Prytania was one of the first to go 3D, digital and now 4K.
People embrace nostalgia, but it doesn’t feed the family. This 300 seat theater is a small business run by Robert and his family and sometimes it’s feast or famine.
“It’s got a life of its own, we’re not a chain.” Brunet said. “You know, if I have to eat popcorn and hot dogs for dinner I’ll do it.”
It hasn’t been an easy life for this non-descript looking building on Prytania Street. Two major fires, hurricanes, the advent of 20 theater megaplexes and Netflix have put the theater on life support more than once, but here it is: A classic survivor.
Brunet says the owner of the building has put the theater in a trust for future generations.
“I don’t see the Prytania or the Brunet family leaving this business,” he said. “The 200th anniversary, this will still be a single screen movie theater.”
And that makes the Prytania and the Brunets Naturally N'Awlins.
From the Daily Breeze: Both good news and bad news could await if San Pedro’s historic Warner Grand Theatre goes big time with a professional operator now being sought by the city of Los Angeles, which owns the venue.
City Councilman Joe Buscaino’s motion to hand the operation over to someone who could attract “A-list talent” and produce sold-out shows moved forward Friday, setting the stage for what could be big changes for the 1930s movie palace at 478 W. Sixth St.
Uncertainty remains over how an outside operator might impact the theater’s future, especially in how it serves the immediate community.
The theater is in serious need of improvements that the city says will cost $3.5 million, though some believe they will cost even more. A private operator would be expected to provide those upgrades in exchange for a deal with the city to run the theater.
Among other things, the venue needs alterations to make it ADA accessible. Fire safety measures also are needed, said Fred Allen, vice president of the Grand Vision Foundation, the nonprofit that supports the theater and has been instrumental in raising money for much-needed upgrades to the theater’s seating and heating system over the years.
The city’s $200,000-a-year allocation to run and maintain the Warner Grand is “pocket change in the theater world,” Allen said.
A well-connected operator — both Nederlander and SMG have been mentioned as possible companies that might be interested — would “professionalize” the theater both by bringing in high-profile acts and providing a cash infusion for needed physical improvements.
“To really make that place hum, you’re going to have to spend several million dollars and have a dedicated staff of three or four employees with stage hands,” he said.
Buscaino’s motion, approved by the council during its meeting in Van Nuys, was born when concert producers Live Nation and Golden Voice booked top musical acts at the Warner Grand in 2015.
The theater was packed — and so were downtown shops and restaurants.
The Warner Grand, Buscaino believes, could be a catalyst for the emerging downtown and waterfront districts that are targeted for revitalization. But it needs an operator, he said, that can market it well so it lives up to its potential.
There are concerns, however, that handing over day-to-day management and operation of the theater will raise prices, black out prime calendar dates and threaten access for the community-based programs that have thrived in the hometown theater.
Youth theater companies such as Encore and Scalliwag, The Golden State Pops Orchestra and the San Pedro Ballet rely on the theater for their productions. The LA Harbor International Film Festival and the San Pedro International Film Festival, along with others, also have become Warner Grand mainstays through the years.
“The Warner Grand Theatre is the ‘main attraction’ in historic downtown San Pedro that brings out many large crowds who also support local businesses,” wrote Stephanie Mardesich, director and Founder of the LA Harbor International Film Festival. The 1,500-seat theater, she said, “is too large for small events and too small for large events. … It is a m“The Warner Grand Theatre is the ‘main attraction’ in historic downtown San Pedro that brings out many large crowds who also support local businesses,” wrote Stephanie Mardesich, director and Founder of the LA Harbor International Film Festival. The 1,500-seat theater, she said, “is too large for small events and too small for large events. … It is a misconception to think that there can be the sort of programming that such stages (as the Greek Theatre or Los Angeles Music Center) command.”
ASSURANCES FOR COMMUNITY GROUPS
Buscaino spokesman Branimir Kvartuc said many of the local groups that now use the theater will be included in the bidding documents, set to tentatively go out Sept. 7 with a selection expected by late this year, possibly as early as Thanksgiving. The new operator will be tasked with working with those groups to ensure community access as part of creating a comprehensive booking calendar, he said. A community advisory group also will be appointed to work with the management as well, Kvartuc added.
A professional operator also could be expected to bring in union labor, Allen said, something that could have ripple effects on grass-roots groups and theater patrons as booking and ticket prices are raised.
Kvartuc said nonprofit rates will be established as part of the theater operation.
“If you look around at city-owned theaters, almost all of them are managed by a nonprofit organization that has some relationship to the community,” Allen said, adding that it also would call for a more robust commitment from the city for capital improvements, staff and maintenance expenses.
In his motion, Buscaino praised Grand Vision for raising more than $1 million for theater improvements over the years, in addition to creating programming and assisting with booking events.
Because of its history, the Warner Grand is considered one of downtown San Pedro’s gems.
Harkening back to Hollywood’s golden age, the Warner Brothers theater, which cost $500,000 to build and opened in 1931, almost didn’t survive when it fell on hard times. The city stepped in to purchase it in 1996 for $1.2 million.
“I have to say it is quite heartbreaking to feel like our work on caring and loving the building may have to stop if a big corporation takes over,” Liz Schindler Johnson, executive director of the Grand Vision Foundation, said in a written statement Friday. “No matter what, we must ensure that the building’s historic integrity be preserved and that any changes be properly vetted by the community and historic preservation professionals.”isconception to think that there can be the sort of programming that such stages (as the Greek Theatre or Los Angeles Music Center) command.”
From the New Haven Register: A photographer with an eye toward keeping historic Valley locations alive through his lens will have his latest work published this fall.
Emery Roth II, though not a Valley resident, took photos inside the former Ansonia Opera House downtown, which have been selected for publication in “Seeing in Sixes,” an art photography book due out this fall from Lenswork Publishing.
Roth’s set of six images, titled “The Dressmaker’s Daughters,” will be featured.
“I’m proud and honored,” Roth said.
August 4, 2016
From Paper Magazine: Before cineplexes—and before you could easily access old movies at home—going to see a movie was a completely special adventure. You had to leave the house, often entering some eccentrically glorious theater that added, in its grandiosity (or sometimes squalor), to the cinematic quality of the experience. Here are some of those lost treasures du NYC cinema: