October 23, 2015
The Theatre Historical Society of America is accepting applications for the 2016 DuBuque Research Fellowship.
The Thomas R. DuBuque Research Fellowship was created by the Theatre Historical Society of America Board of Directors in 2012 to honor the memory of past president, Conclave Theatre Tour planner, and dedicated volunteer Thomas “Tom” R. DuBuque. Tom had a lifelong interest in historic theatres and was a member of THS from 1979 until his death in 2011.
The DuBuque Fellowship supports scholars conducting research in the Theatre Historical Society of America Archives and Collections. The Fellowship was created to support research, increase awareness of the THS Archives, and encourage use of archive materials.
October 19, 2015
Please Remain Standing is the title of a portfolio of work encompassing over 350 movie theaters built before 1965 across America. With an eye for architectural details, whether in a grand movie palace or a small hometown theater, Benita VanWinkle has traveled from Alaska to New York, LA to Miami for over thirty years capturing the experience of attending one of these treasures with color photographs that embody their novelty and charm.
October 15, 2015
On 10 October we celebrated National Stage Managers Day. Here is a great tribute to their skill, talent, and hard work from LA Weekly and USITT.
During rehearsals, the stage manager is the one responsible for seeing that the actors show up on time, that the props and, later, the costumes are in place. The stage manager is the one responsible for holding the text and feeding lines to actors who are in the process of memorizing them. The stage manager is the person who must utter the correction when the phrase isn’t quite accurate, when a word or two is out of place, and then must patiently endure the exasperated expression of the actor who might react with a look that asks, “Is the exact line really that important?” The stage manager must log all of the actors' movements, as staged by the director, so that if the actor forgets where he or she is supposed to be, there’s an official log of the director’s intent.
October 13, 2015
Enjoy this report on Fox News about the Birmingham Theatre’s Wurlitzer, lovingly named Big Bertha. Larry Donaldson, crew chief for Big Bertha’s volunteers, leads a tour of the four story maze of pipes and valves. https://www.facebook.com/aaronlee64/videos/10150548844926506/
October 12, 2015
Portage Theater owner Eddie Carranza will not buy the Patio Theater, the broker handling the sale said Thursday. The 88-year-old former movie palace at 6008 W. Irving Park Road went up for sale in July 2014 for $2.9 million, three months after it closed because of a busted air conditioning system.
October 6, 2015
After it was decided that the Paramount Theatre in Aurora would produce its own Broadway-style shows, Jim Corti was chosen as the theater’s first artistic director.
Several years ago, the Paramount Theatre in downtown Aurora announced it was going to try something audacious: putting on its own Broadway-style shows.
Many people shook their heads. Still, Paramount officials were confident they could tap the area’s professional theater talent and create musical productions suited for their historic, 1,888-seat theater.
September 30, 2015
For decades, neighborhood cinemas were commonplace throughout the city of Detroit. Today, just a handful remain, and only the Redford Theater in northwest Detroit and the Senate Theater on the city’s west side have been restored and feature regular programming. But if an east side nonprofit group is successful, the Redford and Senate will soon have a cross-town compliment in the Alger Theater.
September 24, 2015
September 18, 2015
The Daily Herald shared a slid show featuring the Arcada Theatre in St. Charles, IL. Designed and funded by Lester Norris, the Spanish influenced theater opened on Labor Day, Sept. 6, 1926. The premiere showcased a film called “The Last Frontier” and Vaudeville acts of Fibber McGee and Molly Lor.
September 8, 2015
The New York Times featured this wonderful image of Rosa Rio, shown in 1934 at the Fox Theater in Brooklyn, where she had performed as the house organist. Ms. Rio died in 2010 at 107, after a career as one of the country’s premier theatre organists.